05w15:1 Art Stars Posted April 11th, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 15 number 1 (art stars) ——————————————————————— Ken Lochhead, an apolitical portrait | Tony Martins http://www.getguerilla.ca/issue4/lochhead/index.html “In a country composed of powerful regions, Lochhead feels the key challenge for Canadian artists and cultural innovators is ‘to make our way through political boundaries? The arts world is loaded with politics, unfortunately. Everybody?s fighting for power, and not just between east and west but also between north and south.’ […] Though his teaching career is over, Lochhead is not in line with the current direction taken in university art programs, where ‘history is quite second fiddle to theory now.’ For Lochhead, this theoretical emphasis also spills over into much of contemporary art, where irony-rich postmodernism means ‘we’re explaining the jokes.’ Lochhead prefers an approach to meaning that is more coherent and yet more veiled. He offers a telling quotation to help explain: ‘If you want to be a painter, you must first cut off your tongue.'”RELATED: Kenneth Lochhead at the Centre for Contemporary Canadian Art database site. Rajkamal Kahlon http://www.ratio3.org/kahlon_3.htm “For this body of work, Rajkamal Kahlon has created a series of paintings using Cassell’s Illustrated History of India, published in 1875. Employing the book’s illustrations as a base, Kahlon paints on the actual book pages, creating a charged, fragmented narrative about Indian history and its colonial past. By unbinding the pages from the book, Kahlon’s gouache paintings tell a new story of brutality, power, and the possibilities of survival.” The only thing I can really paint well is anger | Hanno Rauterberg http://www.signandsight.com/features/92.html “But he was never someone to paint for himself alone, for the sake of his soul. ‘I’m no loner. I want my pictures to be seen. I want them to provoke.’ He says this with such certainty that one might conclude he was a painter of solutions, that his art was one of formulas and rousing public appeals. […] ‘Avant-garde,’ he scoffs, ‘has long been a pallid cliche. The idea of the artist as outsider and genius, a fountain of creativity, with no need for teachers or rules, spurting originality till he drops, is complete nonsense!’ […] Heisig’s personal artistic biography is a story of vicissitudes: obstinate forging ahead and abrupt falling on his face. ‘I was a sort of child genius’, he explains. ‘Even before I could read and write, I could draw brilliantly. So well that my father, a painter himself, found it almost impossible to teach me anything.’ Of course it made sense, once the war was over, to apply to art school.”NOTE: This is a profile on the German painter, Bernhard Heisig, included here as FYI, answering the question: what’s up with ex-Nazi artists? Worth it for the laugh of its internal contradictions, as noted above. Betelgeuse http://antwrp.gsfc.nasa.gov/apod/ap980419.html “Here is the first direct picture of the surface of a star other than our Sun. Taken by the Hubble Space Telescope in 1995, the atmosphere of Betelgeuse reveals some unexpected features, including a large bright hotspot visible below the center. “ —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Monday 11 April 2005 @ 12:41 PM
05w14:3 French Thinking Posted April 7th, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 14 number 3 (French thinking) ——————————————————————— Death is Not the End | n + 1 http://www.nplusonemag.com/theory.html “Was theory a gigantic hoax? On the contrary. It was the only salvation, for a twenty year period, from two colossal abdications by American thinkers and writers. From about 1975 to 1995, through a historical accident, a lot of American thinking and mental living got done by people who were French, and by young Americans who followed the French.” Introduction, Dissemination, and Education | Tim Clark http://goodreads.timothycomeau.com/timclark/ “My paper examines some of the reasons for, and consequences of, the introduction and dissemination of Michel Foucault’s work in the context of writing on the visual arts in English Canada. I based my research on the premise that writing on the visual arts in Canada denotes a discursive/ socio-institutional practice. In conducting this study, I wished to know whether there are economic, political, and discursive factors that affect the productive activity of universities, museums, and serial publications. With respect-to those who incorporate the thought of Foucault in their work, I query whether their positions reflect, at the level of the narrative and argumentative structure, reading and writing patterns promoted by these institutions? Finally, I am interested in whether links can be made between economic and political factors mediated by these institutional contexts.”Article date 1991 The Order of Words | Walter Klepac http://www.ccca.ca/c/writing/k/klepac/klep001t.html NOTE: referred to in Tim Clark’s article, from 1984 —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Thursday 07 April 2005 @ 4:43 PM (Permalink)
05w14:1 John Paul II 1978-2005 Posted April 6th, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 14 number 1 (John Paul II 1978-2005) Some popery … I was impressed by how quickly the Vatican website was modified, and how quickly they had up the special commemorative site, linked below. BTW, also dead – Saul Bellow and Mr. Grace Kelly. – Timothy ——————————————————————— The strange death of Protestant England | Mark Almond http://www.guardian.co.uk/monarchy/story/0,2763,1452368,00.html “Who would have thought the death of Rome’s supreme pontiff would interfere with the marriage plans of the next Supreme Governor of the Church of England? Until now, the royal family, prime minister and the whole establishment – defined by the 1701 Act of Settlement’s ban on anyone ‘reconciled to the bishop of Rome’ – would always have put an English wedding ahead of any Roman funeral.” John Paul II, we loved you | The Vatican http://www.vatican.va/holy_father/special_features/hf_jp_ii_xxv_en.htm The Vatican http://www.vatican.va/ —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Wednesday 06 April 2005 @ 4:26 PM
05w12:3 Memorial Posted March 25th, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 12 number 3 (memorial) This piece by Franklin Einspruch is one of the most human things I have ever read, personal and touching in ways that made me seek out his permission to post it. The structure of the piece is such that it would be unfair to even quote it here as I usually do, since that would only emphasize a part of the overall whole and be misleading. You’re just going to have to check it out. – Timothy ——————————————————————— 500 | Franklin Einspruch http://www.artblog.net/?name=2005-03-24-06-44-500 —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Friday 25 March 2005 @ 5:01 PM
05w12:2 2b or not 2b Posted March 25th, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 12 number 2 (2b or not 2b) Hamlet: Then is doomsday near: but your news is not true. Let me question more in particular: what have you, my good friends, deserved at the hands of fortune, that she sends you to prison hither? Guildenstern: Prison, my lord! Hamlet: Denmark’s a prison. Rosencrantz: Then is the world one. Hamlet: A goodly one; in which there are many confines, wards and dungeons, Denmark being one o’ the worst. Rosencrantz: We think not so, my lord. Hamlet: Why, then, ’tis none to you; for there is nothing either good or bad, but thinking makes it so: to me it is a prison. Rosentcrantz: Why then, your ambition makes it one; ’tis too narrow for your mind. Hamlet: O God, I could be bounded in a nut shell and count myself a king of infinite space, were it not that I have bad dreams. Guildenstern: Which dreams indeed are ambition, for the very substance of the ambitious is merely the shadow of a dream. Hamlet: A dream itself is but a shadow. Rosencrantz: Truly, and I hold ambition of so airy and light a quality that it is but a shadow’s shadow. ——————————————————————— Schools of Thought, The Madness of Consensus | Carra Leah Hood http://journal.media-culture.org.au/0502/08-hood.php “The world in 2005 bears little or no resemblance to the world that Shakespeare inhabited; however, this lesson still holds true. Today, the free exchange of intellectual ideas?thought to be the primary activity, for instance, of professors and students on college and university campuses’ is constrained in ways similar to those on display in Act 2 Scene II. Those who have less authority might pursue lines of inquiry, both in classrooms and in scholarship, that follow up on, apply, or restate authoritative positions. They are at less risk for receiving a low grade, for being rejected or criticised by their colleagues, and for losing their jobs if they do so. This type of teaching and learning, writing and research creates a sort of consensus, sometimes referred to as schools of thought, that at their best challenge and at their worst prohibit imagination. Rosencrantz and Guildenstern could not imagine uttering the words, “Denmark is a prison.” Their language and their structures of imagination are restricted by their economic and their social roles and, because of both, the expectations of their audience. In 2005, those in all social positions can imagine speaking such a critique; however, some might elect not to, self-censoring solely for the purpose of achieving one personal goal or another – a grade, professional recognition, or promotion.” —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Friday 25 March 2005 @ 4:45 PM
05w12:1 The Bullshit Roundup Posted March 23rd, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 12 number 1 (the bullshit roundup) Speaking in an interview with Now Magazine in Dec 1997, John R Saul summed up our state of discourse by referring to that time’s teacher’s strikes: “It wouldn’t really have taken all that much effort for the teachers’ unions to say, ‘The government says it wants better education — and it’s going to cut $700 million and it’s going to fire teachers. If you want better education, if you want smaller class sizes, that won’t work.’ It’s two sentences! I never heard a union leader say that. The unions talked in corporatist terms, as if they were in a private negotiation with the government.” (BTW, JRS has a new book coming out in May on the demise of the globalization ideology. I’m pretty excited). One of the lessons I learned at artschool besides what I was supposed to learn, was how much more effective signage was when it was written as if addressing a human being. The corporate language everywhere drives me nuts, and I tend to see it as patinaed with a glossy layer of bull. Because, as Frankfurt says: Bullshit is unavoidable whenever circumstances require someone to talk without knowing what he is talking about. Thus the production of bullshit is stimulated whenever a person’s obligations or opportunities to speak about some topic are more excessive than his knowledge of the facts that are relevant to that topic. This discrepancy is common in public life, where people are frequently impelled – whether by their own propensities or by the demands of others – to speak extensively about matters of which they are to some degree ignorant. Which brings up today’s GR – the bullshit roundup. As you may already be aware, Princeton philosophy prof Harry Frankfurt has published a book called ‘On Bullshit’, and there has been some stuff about it on the net. – Timothy ——————————————————————— On Bullshit | Harry Frankfurt http://www.tauroscatology.com/frankfurt.htm “One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern, or attracted much sustained inquiry. In consequence, we have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves.” Harry Frankfurt on The Daily Show | The Daily Show http://onegoodmove.org/1gm/1gmarchive/001993.html NOTE: link to Quicktime Video 3.4MB 5’46 Harry Frankfurt Interviews | Princeton University Press http://www.pupress.princeton.edu/video/frankfurt/ NOTE: Video interviews available in different formats and streams Defining Bullshit | Timothy Noah http://slate.msn.com/id/2114268/ “Enter Harry G. Frankfurt. In the fall 1986 issue of Raritan, Frankfurt, a retired professor of philosophy at Princeton, took a whack at it in an essay titled ‘On Bullshit.’ Frankfurt reprinted the essay two years later in his book The Importance of What We Care About: Philosophical Essays. Last month he republished it a second time as a very small book. Frankfurt’s conclusion, which I caught up with in its latest repackaging, is that bullshit is defined not so much by the end product as by the process by which it is created.” Towards a Marxist Hermeneutics of Total Bullshit | Scott Martens http://pedantry.fistfulofeuros.net/archives/001201.html#more “I intend to start by sharing what I really think here, then proceding to shed some light on this situation through the application of bovinocoprotics. (From the Latin bovinae – cow, and the Greek κοπÏος – feces.) Then, I need to actually start writing. […] we are confronted with the the problem Frankfurt poses at the beginning of his essay: One of the most salient features of our culture is that there is so much bullshit. If the Enlightenment has been a war on bullshit, it seems that the bullshit is winning. Orwell, lacking Frankfurt’s work to draw on, actually foreshadows him in 1984: ‘All rulers in all ages have tried to impose a false view of the world upon their followers, but they could not afford to encourage any illusion that tended to impair military efficiency. So long as defeat meant the loss of independence, or some other result generally held to be undesirable, the precautions against defeat had to be serious. Physical facts could not be ignored. In philosophy, or religion, or ethics, or politics, two and two might make five, but when one was designing a gun or an aeroplane they had to make four. Inefficient nations were always conquered sooner or later, and the struggle for efficiency was inimical to illusions.’ Orwell’s Oceania is not the land of the Big Lie – for the whole point of doublethink is to not lie – but the land of bullshit: A complete disregard for the truth about things and the defense of the processes that sustain that disregard.” Thanks to Amish Morrell for letting me know about this —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Wednesday 23 March 2005 @ 5:18 PM
05w11:6 Postart Posted March 20th, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 11 number 6 (postart) ——————————————————————— At a crossroads: Peter Plagens on the ‘postartist’ | Peter Plagens http://findarticles.com/p/articles/mi_m0268/is_6_43/ai_n11852071/print “It’s no surprise that ‘postmodern artists are caricatures of artists,’ Kuspit goes on to say. ‘Disillusioned about art, they still have illusions about themselves–about what art can do for them (not what they can do for art), namely, make them rich and famous, or at least newsworthy if not exactly noteworthy.’ And out of his discontent, Kuspit comes up with an idea encapsulated in a term that, for me, is the best gloss on the whole current situation: the ‘postartist.’ The majority of art promulgated by serious galleries and contemporary museums in major cities no longer has much to do with aesthetics. Contemporary art has abandoned its function as the visual wing of the house of poetry and morphed into a fecklessly ‘transgressive’ subdivision of the entertainment industry. It’s now commercial pop culture writ esoteric, whiny and small. What Hughes long ago labeled ‘the shock of the new’ quickly became ‘the academy of the new’ (literally, in MFA programs), which has in turn updated itself into ‘the industry of the new.’ At the same time, artists have cunningly made themselves critic-proof.” —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Sunday 20 March 2005 @ 12:42 AM
06w11:5 More in the World of Printers Posted March 18th, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 11 number 5 (More in the world of printers) ——————————————————————— Inkjet Printers Offer Biology Breakthrough | Emily C Kumler http://www.pcworld.com/news/article/0,aid,117318,00.asp “If you think injecting ink into a printer cartridge might damage your printer, try filling it with animal cells. That’s what they’re doing at Clemson University in Clemson, South Carolina, these days. In the name of science, researchers have developed a way to print sheets of solid animal tissue by filling Hewlett-Packard and Canon inkjet cartridges with animal cells, or ‘bio-ink.'” When the Sous-Chef Is an Inkjet | David Bernstein http://tinyurl.com/6vjhc “But the sushi made by Mr. Cantu, the 28-year-old executive chef at Moto in Chicago, often contains no fish. It is prepared on a Canon i560 inkjet printer rather than a cutting board. He prints images of maki on pieces of edible paper made of soybeans and cornstarch, using organic, food-based inks of his own concoction. He then flavors the back of the paper, which is ordinarily used to put images onto birthday cakes, with powdered soy and seaweed seasonings.”NOTE: New York Times article, a followup to the inkjet-food article, courtesy of Chris Hand New machines could turn homes into small factories | University of Bath http://www.bath.ac.uk/pr/releases/replicating-machines.htm “Research by engineers at the University of Bath could transform the manufacture of almost all everyday household objects by allowing people to produce them in their own homes at the cost of a few pounds. Dr Adrian Bowyer in front of a rapid prototype machine. The new system is based upon rapid prototype machines, which are now used to produce plastic components for industry such as vehicle parts. The method they use, in which plastic is laid down in designs produced in 3D on computers, could be adapted to make many household items.”NOTE: In addition to the story, there is a link to an audio file on this page —————————————- Long links made short by using TinyURL (http://www.tinyurl.com) To remove or add yourself to this list, go here http://goodreads.timothycomeau.com emailed by Timothy on Friday 18 March 2005 @ 4:16 PM
05w11:4 Yum Posted March 16th, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 11 number 4 (yum) ——————————————————————— Taste for meat made humans early weaners | Anna Gosline http://www.newscientist.com/article.ns?id=dn6921 “A taste for meat prompted early humans to wean their children at a young age. The idea explains why we now wean our infants years earlier than other great apes. […] the nutritional benefit of eating meat at a younger age would have helped children’s brains to grow and develop more quickly. Human brains grow three times quicker than those of chimpanzees.” Human ‘dental chaos’ linked to evolution of cooking | John Pickrell http://www.newscientist.com/article.ns?id=dn7035&feedId=online-news_rss20 “Crooked and disordered teeth may be the result of people having evolved to eat relatively mushy cooked food, suggests new research. The disarray may have developed because evolutionary pressures affecting the size and shape of both the front teeth and jaw conflict with those influencing the back teeth. This means that there is often not enough space in the human jaw to accommodate all our teeth.” Forget takeout, eat a print-out | Celeste Biever http://www.newscientist.com/article.ns?id=dn6983&feedId=online-news_rss20 “It is not quite the stuff of Charlie and the Chocolate Factory, but the fare coming out of Homaru Cantu’s kitchen is just as bizarre. In Roald Dahl’s famous children’s book, chewing gum is made to taste like a three-course meal. Cantu, a cordon-bleu chef, has modified an ink-jet printer to create dishes made of edible paper that can taste like anything from birthday cake to sushi. ‘You can make an ink-jet printer do just about anything,’ says Cantu, who is head chef at the Moto restaurant in Chicago, US, and a keen advocate of the high-tech kitchen. The printer’s cartridges are loaded with fruit and vegetable concoctions instead of ink, and the paper tray contains edible sheets of soybean and potato starch. Cantu then prints out tasty versions of images he has downloaded from the web.” —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Wednesday 16 March 2005 @ 8:47 PM
05w11:3 Les Langues Posted March 16th, 2005 by timothy. 0 Comments Good Reads Mailing List | 2005 week 11 number 3 (les langues) ——————————————————————— Speaking of tongues | Martin Jacques http://books.guardian.co.uk/reviews/history/0,6121,1435748,00.html “From his rich picture of why major languages have waxed and waned, it is clear that there is no single model: on the contrary, while Ostler does his best to categorise and conceptualise, there are in fact almost as many models as there are languages. For all the hubris about the rise of English and how it will rule the world’s tongues for ever, it is sobering to reflect on why languages that in their day seemed utterly irresistible in their dominance and prestige, spoken across large regions of the world for thousands of years, were eventually eclipsed.” Manifesto | Thierry Chervel http://www.signandsight.com/service/28.html “No one in the French media reads the German papers thoroughly, and no scouts are keeping track of cultural trends in Germany. […] Is there a Europe beyond the milk quotas? If so, then only in the form of an angel passing, creating a pause in the conversation, a gap in communication. […] When Jürgen Habermas launched his ‘Core Europe’ initiative, no one joined the debate. Who outside the Netherlands had heard of Theo van Gogh before he was murdered? And when everybody in Paris was celebrating the 60th anniversary of the city’s liberation in August last year, no one was aware of what was happening in Warsaw at the same time. While a few streets in Paris were being named after members of the communist resistance, whose valour is indisputable, Warsaw was fixated on the enduring memory of Stalin’s icy smile as he watched Hitler bomb the Polish resistance into the ground. The end of liberation. The ignorance is greatest in large Western European countries where public debate is little more than self-contented thumb twiddling. Talk is of national issues – political leaders, late night comedy stars and football scandals. The intellectuals might as well be sitting in the cinema, all staring spellbound in the same direction, ignoring their neighbours and gasping in outrage at the latest evil deed of bad boy Bush. […] Is it really the fault of Bill Gates or Steven Spielberg that the French are learning less German, and the Germans less French?” Lowbrow Lit | Stephen Osborne http://www.geist.com/notes/issue.php?id=55 “To the generation of writers and publishers who came of age during the counterculture; that is, to me and my friends in the Marble Arch beer parlour, these writers and their works were as goofy as Sergeant Preston of the Royal Mounted. We were readers of Howl and On the Road, by Ginsberg and Kerouac, and La Nausee, by Sartre. Our professors had been British academics who detested Canadian writing, and Americans brought in to replace them who had never heard of Canadian writing; during that period of the sixties and seventies a caste system came into Canadian intellectual life as the expanding universities grew to become the primary site of literary criticism and ‘creative’ writing, with the result that the journalists, the homemade poets, the homegrown novelists who had presumed to rough out a literature, were pushed into the echelons of the lowbrow, the overlooked, the un-Literary (which became also the world of Stan Rogers, whose profoundly un-hip music and lyrics address the same lowbrow mythos, and whose continuing exclusion from the Canadian Music Hall of Fame is another example of the caste system at work).” Crime fighters brought to book | Jo Tuckman http://books.guardian.co.uk/news/articles/0,6109,1432483,00.html “Police in a sprawling working-class suburb on the edge of the Mexican capital are to fight crime with a new weapon: books. The leftwing mayor of Nezahualcoyotl, Luis Sanchez, has ordered all 1,100 members of the municipal police to read at least one book a month or forfeit their chance of promotion. ‘We believe reading will improve their vocabulary and their writing skills, help them express themselves, order their ideas and communicate with the public,’ Mr Sanchez said. ‘Reading will make them better police officers and better people.'” —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Wednesday 16 March 2005 @ 12:08 AM