Posts Tagged “History”

06w38:1 The Address to the Electors of Terrebonne

by timothy. 0 Comments

The last Goodreads was of John Ralston Saul’s keynote address to the annual Couchiching Conference, and as you may have heard by now, at the 1:22:48 mark (chapter 47 of the m4a file), he brings up Louis-Hippolyte Lafontaine’s ‘Address to the Electors of Terrebonne’ of which he says, it is ‘the single most important document in the creation of Canada, and the most beautiful and the most intellectually moving’. Those of you who’ve read his work extensively will have noticed his fondness for this text, and in the Couchiching audio, he goes on to ask the audience, ‘how many of you’ve read it?’ He expresses dismay at its obscurity, noting that ‘I keep hoping that if quote it people will quote it back to me.’ Had I been in the audience, I would have asked, ‘where do you find it?’

Indeed. You’d think it’d be on the internet if it was such a big deal and all. Of course, this lack of net-accesilbility as of last week just prompted me to find it and post it, since that’s part of what Goodreads is about. So, for your Canadian political self-education, here is the newly posted and freshly translated (by yours truly) ‘Address to the Electors of Terrebonne’. – Timothy

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The Address to the Electors of Terrebonne | Louis-Hippolyte Lafontaine
http://goodreads.ca/terrebonne/
“Education is the first benefit that a government can give to a people. In the past there were schools that the Legislative Council closed. Public money would be better spent on their reopening than on bribing a police force which everyone repels and abhors. The establishment of our colleges everyday makes lies of these false and injurious assertions, preferred by the prejudiced and the impassioned, that the ignorance of Canadians comes from their pretentious indifference to education.”

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emailed by Timothy on Thursday 21 September 2006 @ 9:28 PM

06w36:2 The Luxury of Terrorism and Adam Curtis

by timothy. 0 Comments

The Facts & Arguments section of last Thursday’s (Sept 7th) Globe & Mail brought this article by Geoffrey Lean to my attention, where it is noted that ‘food supplies are shrinking alarmingly around the globe, plunging the world into its greatest crisis for more than 30 years. New figures show that this year’s harvest will fail to produce enough to feed everyone on Earth, for the sixth time in the past seven years. Humanity has so far managed by eating its way through stockpiles built up in better times – but these have now fallen below the danger level’.

Earlier in the week I picked up Thomas Homer-Dixon’s The Ingenuity Gap at a used bookstore. This particular copy seems to have been someone else’s review-copy, since I found tucked inside the cover the photocopied blurb for his upcoming title The Upside of Down; Catastrophe, Creativity, and the Renewal of Civilization (to be published October 31st). The blurb offers as a teaser the Prologue, which sets the stage with a reminder of Ancient Rome, which grew too complex and fell because its citizens couldn’t maintain its late stages. Homer-Dixon writes, ‘In this book we’ll discover that our circumstances today are like Rome’s in key ways. Our societies are becoming steadily more complex and often more rigid…Eventually, as occurred in Rome, the stresses will become too extreme, and our societies too inflexible to respond, and some kind of economic or political breakdown is likely to occur. I’m not alone in this view. These days, lots of people have the intuition that the world is going haywire and an extraordinary crisis is coming’.

We are indeed lucky to be thus living in such a time, before the extraordinary crisis. Because it seems to me that when we find ourselves there – maybe in another ten years or so? – won’t we look back with nostalgia to the simpler time of this decade, and pine for the days when old Papa Bush was on TV everynight, making us laugh with his goofy phrasings, and miss the simple-minded certainty offered by the idea that Muslim fanatics want to kill us?

Which is to say that only in a society which has enough food, whose cities aren’t being destroyed by storms, whose children are well-sheltered and well-fed, can we afford the time and resources to let our politicians play boys-with-toys war games. We truly must be living in a utopia, to have the luxury to use our time and money so productively in being afraid of one another.

Because we don’t have an extraordinary crisis to unite us and to force us to work together. Our cities are not being destroyed by storms. There isn’t a plague ravaging continents. We aren’t living with a lead-pipe infrastructure based on an finite resource that we are squandering. There is no asteroid headed our way to force Bruce Willis and Steve Buscemi to become astronauts, nor are there aliens coming to blow up the White House and force President Bush to brush up on his fighter-pilot skills, last used protecting Texan airspace during the Vietnam War (if we don’t count the air-craft carrier thing from a few years back). At the end of the day we can sit back and watch the war-show and the comedic commentaries and look forward to going back to our soul-nurturing jobs in the morning and think, today was a good day. Because the extraordinary crisis is coming, but not already here. We have the luxury of war and terrorism in this decade, and we’d better enjoy it while it lasts.

Meanwhile, commentators like Homer-Dixon, Ronald Wright, and Jared Diamond warn us that things are shaky. This civilization may not survive the 21st Century. Homer-Dixon, in his prologue, writes, ‘Rome’s story reveals that civilizations, including our own, can change catastrophically. It also suggest the dark possibility that the human project is so evanescent that it’s essentially meaningless. Most sensible adults avoid such thoughts. Instead, we invest enormous energy in our families, friends, jobs, and day-to-day activities. And we yearn to leave some enduring evidence of our brief moment on Earth, some lasting sign of our individual or collective being. So we construct a building, perhaps, or found a company, write a book, or raise a family. We seldom acknowledge this deep desire for meaning and longevity, but it’s surely one source of our endless fascination with Rome’s fall: if we could just understand Rome’s fatal weakness, maybe our societies could avoid a similar fate and preserve their accomplishments for eternity.”

Let us then consider this American-centric civilization’s accomplishments: paranoid parents who think their fat video-game playing moronic children will be raped by pudgy balding men. Paris Hilton and Tom Cruise. The American news-media. Cellophane packaged food. Chemicals with unpronounceable names. Industrialized slaughter houses for our domesticated animals, one of which (the cow) now has to be treated as potential toxic waste. Oprah Winfrey’s book club, to industrialize fiction consumption. A tourism industry. An art industry. Designers working away designing the knobs for the ends of curtain rods. Marketing agencies. Billboards. Short films conceptually contrived to promote things.

I’m just playing the USA=Western Civilization game, since, that’s the PR, the marketing, the televised ads, and the billboards have told me my whole life. England would seem to be the Mini-me side-kick, while Canada is USA’s nerdy brother, perhaps austistic, perhaps a good reader. Canada has an inferiority complex and isn’t as glamourous as the more famous brother. Canada is Napoleon Dynamite’s brother chatting up hot babes on the internet. Canada is Western Civilization’s art movie compared to the USA’s Schawrzenegger action flick.

It seems like France, Russia, Poland, Italy – they’re civilizations unto themselves and are thus somewhat divorced from the Anglo-American Empire’s sphere of influence. I’m not sure where Australia fits in since they’re more Anglo than American. Nevertheless, the United States has over 700 military bases in 130 countries in the world. Whatever we think we’re doing when we call ourselves democracies, and whatever we think of our political situation, that reality alone makes the USA Rome. And while Rome left a legacy which can still inspire sixteen hundred years after the fact, a legacy of art, architecture and law, the American Empire’s legacy so far seems to be highways and chemically processed stuff, its art made largely without archival concerns, its documents increasingly becoming subject to digital fragility.

Rome’s reputation for wickedness – brilliantly captured in I Claudius – is usually taught to us via Christian exegesis with gladiatorial reference but I think USA is well on her way to matching Rome’s record given that in July, the Internet Watch Foundation (a UK ‘child porn hotline’ site, which prefers to refer to such images as simply ‘child abuse’) reported that servers in the United States host 50% of the world’s ‘child abuse content’ while the wild-west of Russia (where your last phishing attempt may have come from) is only responsible for 15%. If we take as a measure how we treat our children as a sign of civilization, one has a rather perverse way of judging the winner of the Cold War. This rather abysmal accomplishment of American/Western Civilization – the sexualization of children (I can’t even watch anything on Jon Benet Ramsay, nevermind August’s weirdo) is something I can’t even be sarcastic about here and want to triumph as another grand accomplishment of our globalized society worth preserving.

Homer-Dixon’s thoughts can be answered: yes our society is haywire, and yes, this can only lead to a greater crisis down the road. But if we agree that current living conditions are inhumane and not worth preserving, what then is the better way? It is a moral question – that is, it calls us to envision and articulate a vision of a good life which is currently being articulated for us by Hollywood and advertising. We are not choosing to live lives with meaning or with purpose. We are choosing to fit ourselves into someone else’s image of the world, striving to buy stuff we don’t need and tempted to envy by by Robin Leach’s fucking voiceovers. This decade’s terrorist nonsense is nothing more than another example of the resources squandered by the rich and famous. Because, once again, it’s not like we don’t have enough food. So, if kids screaming at their computers while others lip-sync ‘Numa Numa’; racism and intolerance; cold-heartedness; celebrity waste and stupidity isn’t this civilization’s vision of utopia, then what is?

Is our real crime, not that we have achieved these things, but that we jumped ahead and achieved them without a sustainable framework? Would we all want SUV’s if they contributed to the health of the planet? Would we all want to be obese if there were a pill that could make us Hollywood lean overnight? (Thereby making us procrastinate about taking it, saying, ‘oh, I just don’t feel like being thin today’ while we order the super-size fries). Isn’t the real horror about some of this (excluding the child-sex abomination) based on the fact that we’re indebting our children to a life more poor than our own? Because, evidently, our economy of supplying need-and-greed has made us happy to have cluttered homes and it’s obvious that this hoarding is in part due to a fuck-the-future selfishness.

Here, I’m reminded of the German historian Götz Aly, who wrote of Hitler: ‘Hitler gained overwhelming support with his policy of running up debts and explaining that it would be others that paid the price. He promised the Germans everything and asked little of them in return. The constant talk of “a people without living space”, “international standing”, “complementary economic areas” and “Jew purging” served a single purpose: to increase German prosperity without making Germans work for it themselves. This was the driving force behind his criminal politics: not the interests of industrialists and bankers such as Flick, Krupp and Abs. Economically, the Nazi state was a snowballing system of fraud. Politically, it was a monstrous bubble of speculation, inflated by the common party members”.

This is to say that our superficial wealth today, founded on the infrastructure of non-renewable oil, means poverty for our children’s children. Governments have given up passing laws – making intentional decisions – in favor of passing tax-cuts or tax-breaks, reserving attempts at law-making for such retrogressive ends as rebutting gay marriage or trying to legitimize torture. (Which implies that they can’t imagine how to control people in those ways through tax-breaks).

People have come to equate wealth with volumes of money and not with the cultural riches which make a place worth visiting and living in and treating as an heirloom. So we’ve built ugly office towers all over the world because they’re utilitarian function is to warehouse human capital for 8 or more hours a day and left to execute their inane tasks so that the minority in control of the organization can benefit from their expertise, skill and time, to play golf all day. This means that the cultural riches of our civilization, that which we hope to leave for our children to enjoy are not the maginficant cathedrals of yesteryear, but the landscaped greens of the 18-hole golf course to be found wherever there’s room to put one (even in the deserts of Saudi Arabia). But it’s not like we don’t have enough fresh water or anything.

If the sustainability issue were to be fixed in the next 25 years so that in 2031 we could indulge in guilt free celebrity watching at the Toronto Film Fest, would we still be miserable when superficially nothing had changed? Would we then be happy with a civilization of kiddie-porn perverts, fat and stupid kids, congested highways, fear-mongering news-media, thoughtless politicians?

If this consumerist utopia would not be acceptable then, why is it acceptable now? Again, what kind of world would we like to live in? What kind of life would we like to live? Because, with reference to Homer Dixon’s ‘extraordinary crisis’ those will be the questions that will need answering. And if we can’t answer it now, when we have all time time in the world, how much more difficult will it be to answer when our cities have begun to be destroyed by storms?

Adam Curtis
It may help if we were familiar with how we got here. An excellent summary can be found in the films of Adam Curtis.

I first came across the documentaries of Adam Curtis when The Power of Nightmares was broadcast on CBC Newsworld in the spring of 2005. I soon found copies online and linked to them on Goodreads (issue 05w17:1). In the 18 months since, we’ve had Google Video show up where you can now find the Nightmares series in better quality than what was then available and where you can also find his 2002 documentary The Century of the Self.

The Century of the Self is as remarkable as Nightmares in that it traces the influence of Sigmund Freud over the course of 20th Century Western soceity through, not only his theories, but his family. I was very surprised to learn that Freud’s nephew Edmund Bernays was the fellow who invented ‘public relations’ as an alternative form of propaganda, and who is thus responsible for the past century’s advertising industry. Basically, the story told in Century of the Self is how the marketing and advertising industry grew up around the idea that we were motivated by unconscious desires which could only be placated through products. We were turned into consumers by an application of Freud’s psychoanalysis; to such and extant that by the end of the century governments were treating us as customers and politcians saw themselves as managers in the retail sector of public services. Not only that, but the whole ‘selfish-baby-boomer’ / lifestyle politics / yuppie-thing’ of the 1980s has its roots in this combination of psychology and marketing.

(It should be noted that this documentary dates from 2002, the same year when John Ralston Saul mocked this point of view in a presentation for his then recently released book On Equilibrium recorded in Toronto and later broadcast on CBC’s Ideas. I raise this to suggest that in the years since things have changed so that this type of talk can now seem a little old-fashioned (as is Saul’s thesis in his most recent book, The Collaspe of Globalism). Instead of being treated as customers with regard to public services, we now have to deal with two-bit explanations of the world’s pseudo-problems caused by conservative men trying to fit everything into their god-box).

Curtis’s narratives, while profound, are also weak in the sense that they are too simplistic: the reality of our Western society since 1950 is a complex weave and while we can analyze a thread here and there, a larger pattern is meanwhile being expressed. The plot of the 20th century as presented in Century of the Self was that people were understood to be irrational and so it was thought democracy could never work; they were thus lulled into docility by bought dreams of happiness; dreams woven by Public Relations people.

Of course, business was complicit in this conspiracy, because they’d always feared a time when industrial supply would overwhelm demand and thus lead to a failure to sell. Lifestyle marketing eliminated that worry and in the process created Individualism. (John Ralston Saul’s brilliant analysis of Individualism is to be found as Chapter 19 of Voltaire’s Bastards). Politicians, in turn, used focus-group techniques to get themselves elected and then cater to the self-interested civilians/subjects-of-lifestyle-marketing (Individuals) with the added benefit that a docile population is democratically ineffective allowing those in charge to do whatever they want.

The population of the United States in 1790 was a little less than 4 million. That of the UK at the time was a little over 16 million. And so a Continental Congress from a population of less than the Greater Toronto Area declared independence from the Parliament representing half of the current Canadian population. These numbers, in today’s context, make history seem like the story of people who had nothing else better to do. And it shows just how docile our world is given our enormous numbers. We live within a remarkable feet of social-structuring brought about by educational conditioning.

This describes what John Ralston Saul constantly refers to as a corporatist society, which is fragmented into interest-groups; where the population is obedient and docile and feels incompetent beyond their area of expertise. Democracy has become a sham because we’ve given up control over our lives so that it can be scheduled by our bosses. But if we believe life is about ‘expressing our selves’ then we can buy a fast-food version: our identities come through products which saves time thinking about anything and we can thus focus on getting our jobs done in our machine-world. We live in a time were we routinely refer to people as ‘human capital’ and expect them to behave as smoothly in a role as any other machined, interchangeable part. This basic everyday dehumanization has stripped us of a sense of dignity which leads to weak backs and slumped shoulders and thus a new market for Dr. Ho’s pillows.

Curtis’s Wikipedia page states that he is working on a new series to air later this year, called Cold Cold Heart about the ‘the death of altruism and the collapse of trust – trust in politicians, trust in institutions and trust in ourselves, both in our minds and our bodies.’ I am looking forward to seeing this, since it is this quality of distrust, mean-spirtedness, and lack of trust in our selves by which I’ll forever remember this decade with the same amount of disgust I’ve so far had only for the 1980s. This series would seem to be an extension of Part 4 of Self because it was in this episode that Curtis traced the development of consumerist politics, and showed an excerpt for Mario Cuomo’s 1984 Democratic convention speech, followed by an interview conducted for the series where Cuomo says, (at about the 20 minute mark) ‘The worst thing Ronald Reagan did was to make the denial of compassion respectable’.

It is this quality of distrust and hard-heartedness that I’d like to better understand because our current society is nothing more than the expression of our own dehumanized inhumanity. But I’m not so caught up in Western-centrism to think there’s no alternative. The history of many civilizations teaches us that things have gotten really bad many times; each time the horrors pass and something simpler comes in its place. This is the thesis of Homer Dixon’s upcoming book. His point will be that we can control our future. We shouldn’t get caught up in dooming-and-glooming the present which doesn’t deserve to survive. I think we should instead begin brainstorming about what kind of society we’d like to live in, and then try to make it happen somehow.

The current Canadian population is about 32 million. In January, Apple Computers announced it had sold 42 million iPods around the world. This means that Apple’s infrastructure – to handle the registration requirements – is greater than that needed by the 1st world nation of Canada. It would seem to follow that if 32 million people can give themselves health-care, so could the 43 million uninsured Americans. Of course, this isn’t likely to happen, precisely due to the fractured nature of the common good brought about by the rise of Individualism.

While Individualism can be seen as having broken society, I’d like to think this is only temporary. The Individual rose up in a century dominated by dictatorships – not only political, but also cultural. The greatest art form of the 20th Century is undoubtedly the movie, which consists of a passive audience watching someone’s else’s artistic vision. At a basic level it is a dictatorial relationship. The Individual is now driving a cultural paradigm shift that makes the iPod the primary symbol of current cultural relationships – people want control over their cultural products, which is vastly different than the passive acceptance of media which existed throughout the 20th Century. The internet has empowered people away from the illusion of community and participation brought about through consumerism, and begun instead to interconnect them with other like minded people which can only in turn build bridges to new communities. Individualism now operates in such a way that someone like myself can watch these Curtis videos and feel educated and enlightened and informed, not only because MSM had originally served it to me through a scheduled broadcast, but because I downloaded it from a website, as can you. – Timothy
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The Century of the Self & The Power of Nightmares | Adam Curtis
http://goodreads.ca/adamcurtis

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emailed by Timothy on Saturday 09 September 2006 @ 2:49 PM

06w21:1 Forgeting the Soil

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Last night I caught the CBC1 Ideas re-broadcast of the 2004 symposium held to discuss Jane Jacobs’ last book, Dark Age Ahead. Toward the end of the program Nobel-winning economist Robert Lucas presented a picture of things being great just as they are. According to Lucas, the movement away from ‘the idiocy of rural life’ (a phrase he credited to Marx) was a good thing and nothing to be concerned about. I was dumbfounded to hear this, questioning the limits of his imagination. If everyone moved to cities, where would our food come from?

What then followed was a presentation by Norman Wirzba, who brought up my concerns with an eloquent speech on this basic problem, which is one of ignorance about the cycles of life. This ignorance is encouraged by city-living and tempts us to believe that we live in a post-agrarian age. His point is that we do not, nor could we realistically.

His talk was so good that I contacted him after the broadcast to request a copy of his paper to post on Goodreads. He got back to me this morning and it can now be found at the link below. – Timothy
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The Forgetting of Soil: A Response to Dark Age Ahead | Norman Wirzba
http://goodreads.ca/normanwirzba/
“The steady migration of people from farms or rural areas to cities or suburbs, a migration pattern now being replicated across the globe, means that very few of us have any realistic or honest idea of where food comes from, and under what conditions it can be expected to be safely and reliably produced. Food is conveniently and cheaply purchased at the store. […] Given the important insight that culture is not primarily transmitted through the written page or computer screen but rather that ‘cultures live through word of mouth and example,’ (5) a fundamental question emerges: does the victory of urbanization over agrarian life nonetheless signal a long-term defeat if it means the loss of living, concrete examples of sustainable engagement with the land? Who in our society, what face-to-face apprenticeships, will pass on the wisdom we need to live well in bodies that are themselves dependent on the health and vitality of other biological bodies and systems?”

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emailed by Timothy on Wednesday 24 May 2006 @ 2:45 PM

06w05:2 An Open and Reasonable Soceity?

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Good Reads Mailing List | 2006 week 5 number 2 (an open and reasonable society?)

In the remarkable chapter Images of Immortality found within John Ralston Saul’s 1992 bookVoltaire’s Bastards he says this while tracing the development of artist heroes:

When Romanticism began to flourish in the late 18th Century and the ego began to grow until it dominated public life, people abruptly found Raphael far too modest a fellow to have been the father of the perfect image. So they tended to fall into line with the description of the technical breakthroughs which had been provided by Vasari in his Lives of the Painters, written shortly after the actual events. In other words, they transferred the credit to an irresponsible, antisocial individualist, Michelangelo – a veritable caricature of the artist in the 20th Century. If we were ever able to create a reasonable, open society, Leonardo would no doubt cease appearing to us as an overwhelming, almost forbidding, giant and the credit would be switched to him.

Since that time, Marcel Duchamp (analytical, reasonable) has overtaken Picasso (irresponsible, antisocial individualist that he was) as the greatest artist of the 20th Century, and Leonardo has inspired one of the most read books in the history of the world. Although there is a ton of political evidence to the contrary, perhaps we are witnessing the transition toward a reasonable open society after all? Slowly the balance is shifting so that the President of the United States says ‘Americans are addicted to oil’ and these five words become a headline (as it did yesterday on the Drudgereport), representing as they do a significant shift toward reality from a man famously blinded by ideology.

This Leonardo angle comes by way of the Martin Kemp interview link herein, in which he also complains about art writing. After they talk about his Leonardo book, they get to talking about contemporary art, and Kemp says the following:

AFH: What do you think of all the writing generated by the art world?

MK: There is a lot of writing generated that is redundant. When I was a graduate student, I used to review exhibitions and I found that sitting on the train heading in to London to see the show, I would be writing the review before I arrived. At one point when I was working in Glasgow, I did a review for the Guardian of a nonexistent exhibition, which consisted of all the popular words and apparatus. It was a critical account that stood independently and I then dropped in a spurious artist in to the framework. You see a lot of writing like that allows the machinery to go on by just dropping a name into the mix along the way.

AFH: Do you think this kind of writing is destructive to art or artists?

MK: One thing that has happened very dramatically is that artists in the educational system have to produce more written work as part of their degrees. That has had an effect on artists and artistic production. I think many artists are automatically thinking about how the work will be written about when they are making it. It is not necessarily that they plan, but they can’t stop doing it. That hyper-sensitivity to the written word and what artists need to say about their own work, knowing they will be interviewed, often goes alongside a very self-consciousness about how work will look in reproduction, how it will be discussed, how artists need to justify their own work in the media. The issue is how to corral the artists and the critics into one arena that represents the work well.

This leads me to post the Jerry Saltz article from the end of December, wherein he talks about being a critic. Personally my own experience with writing criticism slanted me toward thinking it wasn’t worth it. Better to let people make up their own minds about things. There’s a difference between criticism and publicity afterall, and no artist wants real criticism. Such genuine critique comes from someone like John Carey, where in the last link this is said about the art world: “Approved high art, Carey insists again and again, is too often simply a marker of class, education and wealth. ‘It assures you of your specialness. It inscribes you in the book of life, from which the nameless masses are excluded.’ Yet ‘the characteristics of popular or mass art that seem most objectionable to its high-art critics — violence, sensationalism, escapism, an obsession with romantic love — minister to human needs inherited from our remote ancestors over hundreds of thousands of years.'” It seems to me that in an increasingly open and reasonable society, professional artists would be derided for their unreasonable snobbish attitudes. But that’s just me.

Finally, a link to a Daily Show clip on Crooks and Liars. They offer two video feeds, one Windows and the other a Quicktime, but the quicktime one doesn’t work as a type this (maybe later?). The clip goes over the James Frey debacle, pointing out that while political lying is pooh-poohed, Oprah’s humiliation is that she ‘forced Americans to read, when they really didn’t have to’.

– Timothy
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Universal Leonardo | Ana Finel Honigman
http://www.artnet.com/magazineus/features/honigman/honigman1-19-06.asp
The interview with Martin Kemp. But check out the website mentioned there:

http://universalleonardo.org/
“‘A project aimed at deepening our understanding of Leonardo da Vinci through a series of international exhibitions, scientific research and educational resources. Explore the web site for details of the exhibitions and to discover Leonardo’s fascinating thought and work in the realms of art, science and technology.’ “

Seeing out loud | Jerry Saltz
http://www.artnet.com/magazineus/features/saltz/saltz12-20-05.asp

What Good are the Arts? | Michael Dirda
http://urlx.org/washingtonpost.com/facc

The Daily Show: Oprah vs News | Crooks and Liars
http://www.crooksandliars.com/2006/01/31.html#a6940
“Why does James Frey get tougher treatment than our government? Well, I’ll tell you why. Because he misled us into a book we had no business getting into. So thank you Oprah for giving us a glimpse into political accountability and punishing the one unforgivable sin our society. Forcing Americans to read … when they really didn’t have to.”

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http://goodreads.timothycomeau.com
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emailed by Timothy on Wednesday 01 February 2006 @ 2:28 PM

06w05:1 Good Audio

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Good Reads Mailing List | 2006 week 05 number 1 (good audio)
I’ve been listening to my iPod at work for the past month, so I haven’t been able to spend as much time in front of the computer finding good reads. What I present here then is the result of finding good podcasts. – Timothy

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Not Self (Week 1) | Gil Fronsdal 2006-01-16

http://www.audiodharma.org/mp3files/Gil_011606_NotSelf_Wk1.mp3

John Ralston Saul speaking on the Collaspe of Globalism | SBS Radio (Jan 06)
http://www9.sbs.com.au/radio/index.php?page=wv&newsID=128346

and on ABC Radio (Aug 05):

http://www.abc.net.au/pm/content/2005/s1441983.htm

The Leonard Lopate Show:

The Wal-Mart Effect 2006-01-23
http://audio.wnyc.org/lopate/lopate012306d.mp3
“70 percent of Americans live within a fifteen-minute drive of a Wal-Mart. Charles Fishman looks at how Wal-Mart got so big, and how it’s changing America’s economy, in The Wal-Mart Effect.”

Covering 2006-01-20
http://audio.wnyc.org/lopate/lopate012006a.mp3
“In Covering: The Hidden Assault on Our Civil Rights, Kenji Yoshino explores the ways in which the law, civil liberties, and self-identification intersect. A Yale Law professor and a gay, Asian-American man, he describes the prejudices that he sees written in America’s civil rights legislation.”

Open Phones: Fact or Fiction? 2006-01-19
http://audio.wnyc.org/lopate/lopate011906c.mp3
“We’ll take your calls on the recent revelation that James Frey made up some of the incidents he described in his best-selling memoir, A Million Little Pieces.”
Note: Personally I think this whole controversy about this book is a little pointless. Saturday night at my birthday dinner my Mother and Sister got into a discussion about it and I had to pipe up to say, “Imagine if you used all that brain power to think about better things; we’d have a beautiful world’. I mean, the book’s cover alone should be enough to clue you in it’s bullshit: all those tiny little coloured specks on the guy’s hand. Honestly, I always thought it was some book about viruses and illness, and noticed everyone reading it on the subway and train and thinking, ‘why would they want to read something so sad?’ Turns out its about drugs, debauchery, and the cheating ways of a trust fund brat. Perfect book for American society don’t you think? Ah well. At least America’s citizens aren’t paying attention to the war in Iraq. This episode of the Lopate show tried to equate the outrage of the book’s falsity with being lied to by the government, which I found crazy and thus fascinating.

Melville: His World and Work 2006-01-18
http://audio.wnyc.org/lopate/lopate011806c.mp3
“Herman Melville wrote one of the most important American novels of all time: Moby-Dick. But he wasn’t recognized as a towering literary figure until 40 years after his death. Andrew Delbanco, the Julian Clarence Levi Professor in the Humanities at Columbia University, studies Melville’s life and works in a new biography.”

Fast Living 2006-01-12
http://audio.wnyc.org/lopate/lopate011206b.mp3
“Renee Price is the curator of the current Egon Schiele exhibit at the Neue Galerie. She revisits the significance of the Viennese artist’s highly-sexualized work, and his very short life.”

Animal Insight 2006-01-10
http://audio.wnyc.org/lopate/lopate011006c.mp3
“Last year, we interviewed animal scientist Temple Grandin about her latest book: Animals in Translation. In this book, she describes how her autism helps her decode animal behavior. She joins us now with an update on her work, and on new developments in autism research.”

This link on autism and it’s relationship to not only the way animals think, but to representative art, reminded me of Nicholas Humphrey’s paper Cave Art, Autism, and the Evolution of the Human Mind:

Cave Art, Autism, and the Evolution of the Human Mind | Nicholas Humphrey
http://cogprints.org/1744/
“The emergence of cave art in Europe about 30,000 years ago is widely believed to be evidence that by this time human beings had developed sophisticated capacities for symbolization and communication. However, comparison of the cave art with the drawings made by a young autistic girl, Nadia, reveals surprising similarities in content and style. Nadia, despite her graphic skills, was mentally defective and had virtually no language. I argue in the light of this comparison that the existence of the cave art cannot be the proof which it is usually assumed to be that the humans of the Upper Palaeolithic had essentially ‘modern’ minds”.

From IT Conversations:

Laughter in a Time of War | Tim Zak talking with Zach Warren
http://www.itconversations.com/shows/detail921.html
“In the Fall of 2005, Zach Warren set the World’s Record for running the Philadelphia marathon–while juggling! […] In this second installment in his series on Play, Globeshakers host Tim Zak asks this World Record holder to describe what gives him the inspiration to pursue these feats of extreme endurance. What role does ‘play’ have in the health of the planet? And ultimately, what has he learned about what it takes to re-build an entire country? ‘One of the first casualties of war’ says Zach Warren, ‘is imagination.’ In one of the most war torn regions in the world, the Afghan Mini Mobile Children’s Circus (MMCC) serves as a child protection program to help Afghan children recover from the traumas of war. The MMCC, a Danish-registered NGO, is run by native Afghans. It helps children to be more self-directed in creating their own dreams for the future through theatre and the arts. So, what is the role of the jester in a time of extreme danger? ‘If we’re really serious about building a democracy in this country,’ says Warren ‘then we need to protect their imagination.'” Note: I found the questions asked in this interview to be really boneheaded, but Zach Warren was almost inspiring, making the case rather well that his admitedly silly contributions do in fact make a difference.

The Future of Blogging | Joichi Ito
http://www.itconversations.com/shows/detail725.html
“The internet is truly becoming an open network with the rise of amateur content and open source software. In this talk, Joi Ito takes us through the growth of the internet as an open network in layers to the point where the killer app is now user generated content. Earlier, it was the little guys around the edges of the internet who created the open standards which made the web work, and today it is those same people who fuel it with their creativity. He also shares with us his observations of the remix culture seen on the net.Joi notes that it is futile to make any attempts to change user behaviour. It is better to observe it and then make a business out of it. He also talks about how people on the internet do not want to be fed content from a handful of sources – they want to create their own content and have a conversation with others at the same time, and that is the revolution we are witnessing today.”

What Do We Know | Robert Trivers
http://www.itconversations.com/shows/detail787.html
“The capacity of humans to deceive each other is well documented by history and personal experience. Less well known, however, is the capacity of most living things to deceive each other – species deceiving other species, members of their own species and themselves. We are, it seems, not that different from parasites, insects and bacteria in this regard.Dr. Robert Trivers talks about the evolutionary basis of deception in this address from Pop!Tech 2005. The first half of this talk focuses on the biological examples of deception in the natural world, with explanations for the evolutionary advantages of deception and self-deception.Later in the talk, Dr. Trivers supplies easily recognizable examples of common human self-deception. He then delves into an overtly political criticism of human deception and self-deception, with an emphasis on current events.”Note: This was really good. I love how he expressed his anger with the Bush Administration. You know something’s worth listening to when it comes from a geek website and has a language warning at the beginning of it. (Because geeks of course never say the word fuck, especially when dealing with Windows software). And speaking of the Bush Administration:

State of the Union Address 2006 | James Adomian
http://urlx.org/youtube.com/0531
“This year I’m submitting to congress a plan for a 400 billion dollar education plan. Because our children must be literalized. Children that don’t read will not grow up. I’m against hunger. I’m against that. For all our small businesses out there I want to make sure that they have clothings. For every old person out there dreamings, I want to make sure they have the pills to make those dreams happen. For every college student out there, I will make sure that they will be able to take the loans to go to college to be able to pay back those loans with interest. That’s why this year I’m proposing a 400 billion dollar tax cut on our upper income earners.”

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emailed by Timothy on Sunday 29 January 2006 @ 7:01 PM

05w46:1 Modern Times

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Good Reads Mailing List | 2005 week 46 number 1 (modern times)


——————————————————————— We Now Live in a Fascist State | Lewis H. Lapham
http://organicconsumers.org/Politics/harpers101205.cfm
“We’re Americans; we have the money and the know-how to succeed where Hitler failed, and history has favored us with advantages not given to the early pioneers. We don’t have to burn any books. The Nazis in the 1930s were forced to waste precious time and money on the inoculation of the German citizenry, too well-educated for its own good, against the infections of impermissible thought. We can count it as a blessing that we don’t bear the burden of an educated citizenry. The systematic destruction of the public-school and library systems over the last thirty years, a program wisely carried out under administrations both Republican and Democratic, protects the market for the sale and distribution of the government’s propaganda posters. The publishing companies can print as many books as will guarantee their profit (books on any and all subjects, some of them even truthful), but to people who don’t know how to read or think, they do as little harm as snowflakes falling on a frozen pond. “

Writers and the Golden Age | Allan Massie
http://www.literaryreview.co.uk/pulpit_nov_05.html
“Of course, the idea that art necessarily finds expression in protest, or is essentially a means of protesting, whether from the Right or the Left, is itself, comparatively speaking, modern. It dates from the Romantic movement. Before then, much art was a celebration of the established order, and inasmuch as it was critical, the criticism was directed at those who would disturb that order. Satire, for instance, was generally conservative. Its anger and contempt were aroused by folly and the vanity and vices of the present day; the satirist harked back to a (doubtless imaginary) Golden Age. […] The Left, ever since Rousseau, has seen man as essentially good, in chains only on account of the institutions of a cruel and corrupt society. Loosen his chains, strike off his fetters, and the natural benevolence of his nature will be free to flourish. For the Left the Golden Age is still to come. The Right, however, sees our nature as essentially flawed. […]Left-wing artists, however angry, are optimists; right-wing ones, however serene or witty, are pessimists. Yet the same man may be of the Left in his politics, opinions, and daily life, but of the Right in his Art. Graham Greene is a good example: politically on the Left, nevertheless on the Right in the view of man’s nature which informs his novels.”

What’s a Modern Girl to Do? | Maureen Dowd
http://tinyurl.com/aany5
“‘What I find most disturbing about the 1950’s-ification and retrogression of women’s lives is that it has seeped into the corporate and social culture, where it can do real damage,’ she complains. ‘Otherwise intelligent men, who know women still earn less than men as a rule, say things like: ‘I’ll get the check. You only have girl money.” Throughout the long, dark ages of undisputed patriarchy, women connived to trade beauty and sex for affluence and status. In the first flush of feminism, women offered to pay half the check with ‘woman money’ as a way to show that these crass calculations – that a woman’s worth in society was determined by her looks, that she was an ornament up for sale to the highest bidder – no longer applied. Now dating etiquette has reverted. Young women no longer care about using the check to assert their equality. They care about using it to assess their sexuality. Going Dutch is an archaic feminist relic. Young women talk about it with disbelief and disdain. ‘It’s a scuzzy 70’s thing, like platform shoes on men,’ one told me.”

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emailed by Timothy on Tuesday 15 November 2005 @ 11:17 PM

05w39:1 Everybody must get stoned

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Good Reads Mailing List | 2005 week 39 number 1 (everybody must get stoned)


——————————————————————— The ’60s Trap | David Greenberg
http://www.slate.com/default.aspx?id=2125915&nav/tap1
No Direction Home, Martin Scorsese’s documentary about Bob Dylan’s early years, is but the latest item in a flood tide of Dylanalia that, in trying to pay due homage to America’s most important rock artist, constricts his four-decade career to its first six years. […] Though delightful to watch … the documentary wallows in baby boomer nostalgia. […] Despite subsequent droughts and misfires, Dylan has since turned out some brilliant albums – from Desire in the 1970s to Infidels and Oh Mercy at either end of the 1980s to Time Out of Mind a few years ago – that approach his greatest work and surpass much of the folkie stuff that still draws so much giddy attention. So, why have we been so quick to ignore the bulk of his career? One part of the answer is that Dylan shares a problem with the 1960s as a whole: Scholarship and popular commentary alike are shaped by the baby boomers who lived through the period and have never quite transcended their own youthful enthusiasms. As Rick Perlstein noted in Lingua Franca several years ago, the preponderance of boomers in the historical profession – and, he might have added, in the culture overall – has made it hard for younger voices to gain a hearing for ideas that argue with the prevailing, familiar tale of the decade.”

A Less Fashionable War | Charles Shaw
http://tinyurl.com/bran7
“Thirty years ago Gore Vidal noted that ‘roughly 80% of police work in the United States has to do with the regulation of our private morals – controlling what we drink, eat, smoke, put into our veins – with whom and how we have sex or gamble.’ Then there were roughly 250,000 prisoners in the nation. Today there is more than 2 million, with another million in county jails awaiting trial or sentencing, and another roughly 3 million under ‘correctional supervision’ on probation or parole. The total national cost of incarceration then was $4 billion annually; today it’s $64 billion, with another $20 billion in federal money and $22-24 billion in money from state governments earmarked for waging the so-called ‘War on Drugs.’ Nationally, around 60% or more of these prisoners are drug criminals. Yet, throughout all this time and expense there has not been the slightest decrease in either drug use or supply.”

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emailed by Timothy on Saturday 01 October 2005 @ 6:13 PM

05w36:3 9/11

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Good Reads Mailing List | 2005 week 36 number 3 (9/11)


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Kodak Moments, Flashbulb Memories: Reflections on 9/11 | Barbara Kirshenblatt-Gimblett
http://www.nyu.edu/fas/projects/vcb/case_911/pdfs/kodak.pdf
“The attack on the World Trade Center is said to be the most photographed disaster in history. This is a city designed to look at itself from spectacular vantage points, whether from the top of Manhattan’s signature skyscrapers, high rise apartments, and tenements, from the street, along suspension bridges, on boats along the rivers surrounding the island, and from Queens, Brooklyn, New Jersey. The attack produced a spectacle that was photographed incessantly and seen instantaneously across the globe […] It has been said that for the present to become history, fifty years had to pass. But history’s famous actors, not least of which our own American presidents, work in the present to control their historical legacy. September 11 has created the powerful sense that one is a witness to one’s own experience and obligated to record it in some way. This takes historically specific forms tailored to the events themselves, whether Oyneg Shabes, Ringelblum’s project, or the events of September 11. Both involve the responsibility for ensuring that an historical experience will be remembered. Both raise the question of what should be collected and preserved. From a museological perspective, September 11 is everywhere. How do you collect a present that is already historical? Some institutions, like the Museum of the City of New York, have taken a slow approach to creating exhibitions that deal with the disaster, preferring more distance from the events and a more selective approach to the collection of iconic artifacts for telling the story. Not surprising, the designer the Museum of the City of New York has commissioned Ralph Appelbaum, who is famous for his storytelling approach to museums, to design the exhibitions in what were to be its new quarters in the Tweed Courthouse downtown – Mayor Bloomberg has nixed that plan. This and other museums have been collecting such iconic objects as the crushed fire truck, ‘a pair of muddy boots, respirators and masks, dust from the window-sills of Battery Park City, even the clothes worn by Mayor Giuliani,’ and a twisted Venetian blind. The Museum of the City of New York has even added the Wall of Prayer to its collection, a spontaneous assemblage of images and messages on a construction site fence at one of the entrances to Bellevue Hospital. This kind of collecting is more like the time capsule–items from the present in anticipation of the future–than archeology, though archeologists are vital to the forensic effort and that evidence will become part of the historical record. For some time, Ground Zero remained a crime scene. “NOTE: PDF, 37 pages, 1.75 MB

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emailed by Timothy on Sunday 11 September 2005 @ 12:30 PM

05w36:2 Today's the Day

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Good Reads Mailing List | 2005 week 36 number 2 (today’s the day)

It being the fourth anniversary of Terrible Tuesday, I felt like I should comment here, since it’s something I’m wont to do anyway. These two articles deal with the USA. The first, published yesterday in the Globe and Mail, (and surprisingly free) is a wonderful summation of all that’s perceived to be wrong with the United States today, dealing with the usual Lefty complaints, but presented in what I think is a fair manner with an intelligence sometimes lacking as we assume everyone agrees with us and knows what were talking about.

The intro that the Globe published with it read: ‘9/11/05 The Watery hell in New Orleans shouldn’t have come as such a surprise, argues Paul William Roberts. Decades of oil-driven greed and misguided foreign policy have created a monster at odds with much of the planet and unwilling to take care of its own. The Stars and Stripes forever? Four years after the Twin Towers, it seems the superpower itself is starting to sink’.

It is an odd coincidence that the destruction of New Orleans came three weeks before the anniversary of the event which had such a profound impact on our psyches. I remember that day shattering the sense of doom that had been building as I watched North American society carelessly and recklessly consume ever greater amount of non-renewable resources for their urbane trucks, and argue about such irrelevant things as Presidential head, while letting Brittany Spears’ career get off the ground.

Then, the event caused a shift, and America went into its war mentally, paranoia growing like mushrooms around the social and ethical rot. Enron, the Iraq war, and then last year’s hope that it might all end in one humiliating defeat we could all get behind. But no, the Christians of the south prayed to their God and re-elected a man whom many in the world regularly compare to Hitler. Which is a characteristic of the hyperbole of our times, and not really accurate – for one thing, Hitler was competent. He had his evil plan and succeeded in replacing the Devil as a figure of evil for the secular age. The prayers of thousands of Muslims was answered in August, a month historically known for terrible things, and suddenly, America is spited upon, and the too-terrible-to-name administration is shown that it can’t do shit, but it can certainly let its citizens wallow in it.

So the second article looks back four years to the event and the New York artworld’s response to it with the thoughts of Arthur Danto. And I was prompted to write this lengthy intro by my own memories of finding art in the week after rather irrelevant, but I was haunted then by a quote that I’ve since been unable to track down, stating something to the effect that things like art are really important in times of tragedy to remind us that horrors aren’t the only story with regard to being human. Except this time, with the storm, I find watching CNN (since CBC is locked into a narcissistic drama) to be more compelling than any video art could ever be. As an artist, I find art totally lame right now. Danto hints at this in his article – the professional imagineers of our society cannot in the end imagine something more powerful than reality (and given how I’ve let Goodreads collect that anti-pomo arguments over the past year, I’m tempted to ask here that being disconnected from reality, how could artists not fail in the task?) But everything being as it is has taken the wind out of my sails in many ways – the catastrophe is depressing in that it was allowed to happen, and art is depressing in that it’s rather pathetic. And with the CBC on its perpetual walkabout, there isn’t really any good TV to watch, and the new season of Big Ideas on TVO hasn’t started yet. The usual end of summer blues aggravated by depressing world events … but, four years ago suggested that maybe this a new pattern, and in the end it’s a new addition to the list that prompts one to say c’est la vie. -Timothy
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The flagging empire | Paul William Roberts
http://tinyurl.com/bpgyh
“In hindsight, the $14-billion price tag on the plan that had been drawn up for saving Louisiana’s coastline and the Mississippi’s delta now must look like a bargain to a Congress that has agreed to $50-billion in aid alone. It is safe to say that relocating more than a million people, along with the loss of the nation’s largest port, and the other economic consequences from Hurricane Katrina will bankrupt the United States. Or would, if anyone dared to call in the country’s debts, which now exceed any number of dollars one can write meaningfully – particularly since no one seems to know just what a trillion is anyway. It’s a known unknown. The unknown part is what happens to a nation that owes this much money: No other one has ever racked up such a tab. Even so, in the eyes of the world, the emperor stands naked. Monday’s issue of London’s The Independent noted: ‘We could be witnessing a significant moment in America. Hurricane Katrina has revealed some uncomfortable truths about the world’s richest and most powerful nation. The catastrophe in New Orleans exposed shocking inequalities – both of wealth and race – and also the relative impotence of the federal authorities when faced with a large-scale disaster. Many Americans are beginning to ask just what sort of country they are living in. There is a sense that the struggle for the soul of America is gathering pace.’ There is also suddenly a sense that the American Empire is in decline, that the only successful wars it has ever waged are the ones against the environment and its own people.”

9/11 Art as a Gloss on Wittgenstein | Arthur C. Danto
http://www.artnet.com/magazineus/features/danto/danto9-9-05.asp
“[One of the truths I learned] was that even the most ordinary people respond to tragedy with art. Among many unforgettable experiences of the early aftermath of the event was the unprompted appearance of little shrines in fronts of doors, on windowsills and in public spaces everywhere. By nightfall on 9/11, New York was a complex of vernacular altars. In the course of that terrible day, a reporter had phoned, asking me what the art world was going to do about the attacks. I could not imagine that anyone not practically engaged in coping and helping was able to do anything except sit transfixed in front of the television screen, watching the towers burn, and of the crowds at street level running from danger and, later, trudging through smoke and detritus in search of someone they knew. I thought the last thing on anyone’s mind was art. But by day’s end the city was transformed into a ritual precinct, dense with improvised sites of mourning. I thought at the time that artists, had they tried to do something in response to 9/11, could not have done better than the anonymous shrine-makers who found ways of expressing the common mood and feeling of those days, in ways that everyone instantly understood.”

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emailed by Timothy on Sunday 11 September 2005 @ 12:07 PM

05w36:1 Katrina Audio and Video Part II

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Good Reads Mailing List | 2005 week 36 number 1 (katrina audio and video part II)

The destruction of an entire city by a storm is something I never really expected to see. I mean, I’m waiting for the nuclear bomb thing which they keep telling me is on it’s way … as on it’s way as the help that FEMA kept promising Mayor Nagin last week I suppose. Anyway, after the past five years of Bush bullshit that anyone who was paying attention could see through, the maligned ‘Liberals’ suddenly seem vindicated, once again united in a chorus of unsaid, ‘we told you so’. And what gets me is that even the people at Bush’s Broadcasting Co (aka Fox News) have joined in the chorus of criticism. The American media elite are finally as pissed off with the Bush administration and the whole status quo as the rest of the world. So onto this Goodreads – building on the net-famous sample of last weekend, I direct you to the website crooksandliars.com which is running a great roundup and video+audio archive of the reporting from New Orleans, along with some others, including what Kanye West was talking about (on the Metafilter link). – Timothy

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Crooks and Liars
http://www.crooksandliars.com/
Highlight1 (Clip from last night’s Daily Show); Highlight 2 (Tim Russert on the Imus Show); Highlight3 (Kanye West clip again, a better one that what I sent outbefore); Highlight4 (Shepard Smith and Geraldo Rivera on Fox News)

The Rebellion of the Talking Heads | Jack Shafer
http://www.slate.com/id/2125581/
“In the last couple of days, many of the broadcasters reporting from the bowl-shaped toxic waste dump that was once the city of New Orleans have stopped playing the role of wind-swept wet men facing down a big storm to become public advocates for the poor, the displaced, the starving, the dying, and the dead. Last night, CNN’s Anderson Cooper abandoned the old persona to throttle Sen. Mary Landrieu, D-La., in a live interview. (See the video or read the transcript.)”

Black people loot, white people borrow | Metafilter
http://www.metafilter.com/mefi/44689

Barbara Bush insults Katrina survivors | Metafilter
http://www.metafilter.com/mefi/44871
“Barbara Bush insults Katrina survivors. Said today while visiting relief efforts at the Houston Astrodome: ‘Almost everyone I’ve talked to said we’re going to move to Houston. What I’m hearing, which is sort of scary, is they all want to stay in Texas. (Said with concern.) Everybody is so overwhelmed by all the hospitality. And so many of the peoples in the arena here, you know, they’re underprivileged anyway, so this–this (she chuckles slightly) is working very well for them.’ I’d be curious what she’d think after after living there for just a week, much less for months on end, before being sent off to somewhere even further from their homes, friends, and relatives. Please note: This woman raised our president. Did the acorn fall far from the tree?” NOTE: Audio here via crooksandliars: http://movies.crooksandliars.com/bb.mp3

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emailed by Timothy on Wednesday 07 September 2005 @ 9:18 PM