06w15:1 The Extended Phenotype Posted April 9th, 2006 by timothy. 0 Comments Good Reads Mailing List | 2006 week 15 number 1 (The extended phenotype) There’s this line in the Ghost in The Shell sequel, Innocence. As they fly over a city, one character says to the other, “Reminds me of the line ‘what the body creates, is as much an expression of DNA as the body itself.’ … If the essence of life is information carried in DNA, then society and civilization are just colossal memory systems… And a metropolis like this one, simply a sprawling external memory.” This idea is that of Richard Dawkin’s Extended Phenotype. Basically, if a beaver is a beaver because of it’s DNA, a beaver’s dam is also an expression of that DNA. Therefore, the CN Tower is also an expression of human DNA, as is every other aspect of our material culture. ——————————————————————— The Extended Phenotype | Wikipedia http://en.wikipedia.org/wiki/Extended_phenotype —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Sunday 09 April 2006 @ 1:26 AM
06w12:1 Fred Ross on Academic Art Posted March 31st, 2006 by timothy. 0 Comments Good Reads Mailing List | 2006 week 13 number 1 (Fred Ross on academic art) Introit: Because many on this list are artists, this one needs a bit of introduction. Which is also to prove how valid the points raised in this article are. I found it in the free copy of The Epoch Times being handed out in front of the train station yesterday, and it’s easily one of the most entertaining and pointed things I’ve read on art in a long time. Personally, I still think Bougereau is lame, Ross’ fundamental question is: have I merely been taught to think so? ——————————————————————— ARC Chairman Speaks His Mind | Fred Ross http://english.epochtimes.com/news/6-3-24/39501.html “These [painting] traditions, just when they were at their absolute zenith, at a peak of achievement, seemingly unbeatable and unstoppable, hit the twentieth century at full stride, and then … fell off a cliff, and smashed to pieces on the rocks below. Since World War I the contemporary visual arts as represented in Museum exhibitions, University Art Departments, and journalistic art criticism became little more than juvenile, repetitive exercises at proving to the former adult world that they could do whatever they damn well wanted … sadly devolving ever downwards into a distorted, contrived and contorted notion of freedom of expression. Freedom of expression? Ironically, this so-called ‘freedom’ as embodied in Modernism, rather than a form of ‘expression’ in truth became a form of ‘suppression’ and ‘oppression.’ Modernism as we know it, ultimately became the most oppressive and restrictive system of thought in all of art history. […] During most of the 20th Century, the type of propaganda that has been hurled at academic artists is so insidious that people have been literally trained to discredit, out-of-hand, any work containing well-crafted figures or elements, or any other evidence of technical mastery. […]That is not to say that all academic art is great, or above criticism—certainly, it is not. It would be no less fallacious to issue blanket praise to an entire category than to condemn it. Academic painting ranges from brilliantly conceived and deeply inspired, to trite and silly, depending on the subject and the artist. That being said, I find even the worst of it more meaningful than art based on the ridiculous notion that it is somehow important to prove the canvas is flat, and/or that one needs no skill or technique to be an artist—views generally embraced by those who condemn the entire category of academic art.”Related: ARC (Art Renewal Center) http://www.artrenewal.org —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Friday 31 March 2006 @ 1:00 PM
06w07:1 The Cartoons Posted February 13th, 2006 by timothy. 0 Comments Good Reads Mailing List | 2006 week 7 number 1 (the cartoons) Last week saw a lot of coverage in mainstream media about the protests over some stupid drawings. In the Saturday (11 Feb) Globe and Mail, the editor-in-chief Edward Greenspon argued that they weren’t showing them because they didn’t feel they added anything important to the story, while justifying the occasional photo of bombed bodies on Israeli buses. (In that case I’m thinking of a 2003 front page). He wrote: ‘As one cartoonist said earlier this week, this is not a matter of self-censorship. It is a question of editing. Every day we are faced with similar decisions, particularly in choosing photos. Do we show a naked woman? Do we show a dead baby? Do we show bodies blown apart by a suicide bomber or other samples of the carnage that come our way regularly? Most often the answer is we do not. Only when we feel an offensive photo is absolutely necessary to the understanding of the story do we loosen our restraints.’ ‘This point makes no sense, given that a full understanding of protests about drawings should require that one see them for oneself. I could take the mainstream media’s self-righteousness seriously if this were not the age of the internet and Google. You want to see ’em, go ahead and see them. The same goes for pictures of naked women (naked men aren’t offensive?) dead babies, and carnage (orgish.com?). The media has used arguments of self-censorship and editing to draw us a picture of their own obsolesce. I’ve been wondering about how many people have actually seen the images on the net. As that’s part of what Goodreads is about, I almost sent the link a week ago but on the other hand, I didn’t want to be part of the game of offending people. I’ve been wishing this story would just go away like they always do. Remember two years ago when Mel Gibson was supposedly an anti-semite? Yet I can relate to being offended by images. In 2002 John Paul II came to Toronto for the World Youth Day and I went and saw him give Mass, since I grew up a Catholic and had seen his photograph at my grandmother’s house for as long as I could remember, in addition to it being very popular in the area. There was a feeling of obligation, mixed with nostalgia I suppose. The night before the Mass, I went to an opening at Art System, the Ontario College of Art and Design student run gallery. Their show was about the Pope, and extended to Catholicism in general. As you can imagine, there were plenty of images of priests and popes sodomizing young boys. For one of the few times in my life, I was offended, but I knew where it was coming from (the rebellious young influenced by the scandals in the news) and having grown up in an open and tolerant society, felt no need to staple a placard to a stick and lead a protest, considering it was all just stupid and immature. Now, one of the arguments with these Muhammed cartoons is that the editors of the newspaper should have known better. These Muslims are rioting and protesting because they feel insulted. I find it all kind of crazy that some people can get all upset over drawings, but as a visual artist I suppose I’m supposed to get all excited by the power of the medium and jump on the iconographic bandwagon, or get on the side of the cartoonists and talk about freedom of expression and denounce this iconoclasm. But I feel I have better things to do. The World has better things to do. The editors of newspapers in North America would know better than to publish the images I saw from OCAD. They would be able to see how unfair they were. I’m not sure if that’s censorship, as much as it’s a respect for context. I can well imagine the images published elsewhere – in a show catalogue, in some article critiquing or analyzing the Church’s pederast scandals, in some art history book. The show didn’t warrant getting shut down by the cops, which still happens sometimes. There were no protests. In this case, the cartoons violate Islam’s prohibition against images, and especially the prohibition in depicting the Prophet. Worse, the arguments made against the images by Muslim spokespeople are that they stereotype Muslims as terrorists. The image by Claus Seidel seems aimed to offend by merely representing Muhammed, whereas the image by Erik Sorensen seems to be as juvenile and ignorant as the shit I saw that night at OCAD. Further, I have a recent example of being offended by an image. And the image in question is that of an ad featuring Ann Coulter and Robert Novak, featured prominently next to the cartoons here. This webpage thus manages to offend not only Muslims, but secular liberals. And, when I ask myself, ‘why do they keep protesting?’ I’m reminded by Coulter, who recently referred to them as ‘ragheads’. The best explanation for what’s happened over the past week (advanced by Rick Salutin and reported by Simon Tudiver in Maisonneuve’s Mediascout) is that Muslims are pissed off for always being stereotyped and caricatured as terrorists, from these stupid cartoons to Hollywood’s blockbusters. Tudivier’s headline, by the way, ‘Protesting the cartoon professor’ refers to Peter March, who posted the images on the door of his office at Saint Mary’s University. Peter March was a professor of mine in 1998. After Tudivier raises the Salutin article, he adds, ‘Had Professor March offered up such an idea, MediaScout would have applauded his contribution. We should be looking to our academics to elevate the debate, not debase it by merely inciting an angry mob.’ What’s unclear in the reportage about Prof. March was that he teaches philosophy, and I think it’s fair to suggest that, instead of merely trying to incite an angry mob (as he waded into a protest on campus last week), he was trying to engage in Socratic debate. Which should help remind us that all of these easy explanations cheapen us all, and I’m going to go back to wishing the world had something better to talk about (like poverty, aids, hunger, global warming, etc). The way the religious keep hijacking the agenda of human betterment seems to me the best advertisement for agnostic secularism, which is why I’m rather happy to live in a Canada, where that’s pretty much the way it is, although we end watching the world’s news for entertainment rather than dealing with our own social agenda. A week ago I wanted to send out the link to the Colbert Report video below, under the headline, ‘why I’m glad I’m not American’ but truth be told, inasmuch as it critiques the American economy, it’s true here as well. This type of thing warrants a lot more discussion than drawings, or ‘turncoat politicians’. – Timothy ——————————————————————— ‘Thank You’ | The Colbert Report http://www.crooksandliars.com/2006/02/04.html#a7008 Protesting the Cartoon Professor | Simon Tudvier http://urlx.org/maisonneuve.org/896e The Cartoons http://www.humaneventsonline.com/sarticle.php?id=12146 Jyllands-Posten Muhammad cartoons controversy | Wikipedia http://urlx.org/en.wikipedia.org/b352 Face of Muhammed http://face-of-muhammed.blogspot.com/ A blog about the cartoons —————————————- Long links made short by using Url(x) (http://www.urlx.org) To remove or add yourself to this list, go here http://goodreads.timothycomeau.com emailed by Timothy on Monday 13 February 2006 @ 4:37 PM (Permalink)
06w06:1 A Note about Goodreads for Yahoo subscribers Posted February 10th, 2006 by timothy. 0 Comments A Note about Goodreads for Yahoo subscribers A note about the mailing list: since the end of December there have been some problems getting the messages through anti-spam software. Specifically, Yahoo hasn’t allowed the last two messages through. There’s little I can do about this. You might want to try the RSS feed, or keep checking the website now and then. – Timothy emailed by Timothy on Friday 10 February 2006 @ 6:22 PM
06w05:3 Controversial Art News Clips Posted February 3rd, 2006 by timothy. 0 Comments Good Reads Mailing List | 2006 week 5 number 3 (controversial art news clips) ——————————————————————— ‘Controversy’ | The Daily Show http://urlx.org/comedycentral.com/ef3d followup: http://www.miami.com/mld/miamiherald/news/12202963.htm Bin Laden Artwork Now Hanging In New York | WCBSTV http://wcbstv.com/local/local_story_033162841.html “You could take the painting out of circulation, or not, for a mere $12,000 and change. You can see the painting, or not, by visiting the show which runs through Sunday. Daily admission is $15.”with embedded video —————————————- Long links made short by using Url(x) (http://www.urlx.org) To remove or add yourself to this list, go here http://goodreads.timothycomeau.com emailed by Timothy on Friday 03 February 2006 @ 1:31 PM
06w05:2 An Open and Reasonable Soceity? Posted February 1st, 2006 by timothy. 0 Comments Good Reads Mailing List | 2006 week 5 number 2 (an open and reasonable society?) In the remarkable chapter Images of Immortality found within John Ralston Saul’s 1992 bookVoltaire’s Bastards he says this while tracing the development of artist heroes: When Romanticism began to flourish in the late 18th Century and the ego began to grow until it dominated public life, people abruptly found Raphael far too modest a fellow to have been the father of the perfect image. So they tended to fall into line with the description of the technical breakthroughs which had been provided by Vasari in his Lives of the Painters, written shortly after the actual events. In other words, they transferred the credit to an irresponsible, antisocial individualist, Michelangelo – a veritable caricature of the artist in the 20th Century. If we were ever able to create a reasonable, open society, Leonardo would no doubt cease appearing to us as an overwhelming, almost forbidding, giant and the credit would be switched to him. Since that time, Marcel Duchamp (analytical, reasonable) has overtaken Picasso (irresponsible, antisocial individualist that he was) as the greatest artist of the 20th Century, and Leonardo has inspired one of the most read books in the history of the world. Although there is a ton of political evidence to the contrary, perhaps we are witnessing the transition toward a reasonable open society after all? Slowly the balance is shifting so that the President of the United States says ‘Americans are addicted to oil’ and these five words become a headline (as it did yesterday on the Drudgereport), representing as they do a significant shift toward reality from a man famously blinded by ideology. This Leonardo angle comes by way of the Martin Kemp interview link herein, in which he also complains about art writing. After they talk about his Leonardo book, they get to talking about contemporary art, and Kemp says the following: AFH: What do you think of all the writing generated by the art world? MK: There is a lot of writing generated that is redundant. When I was a graduate student, I used to review exhibitions and I found that sitting on the train heading in to London to see the show, I would be writing the review before I arrived. At one point when I was working in Glasgow, I did a review for the Guardian of a nonexistent exhibition, which consisted of all the popular words and apparatus. It was a critical account that stood independently and I then dropped in a spurious artist in to the framework. You see a lot of writing like that allows the machinery to go on by just dropping a name into the mix along the way. AFH: Do you think this kind of writing is destructive to art or artists? MK: One thing that has happened very dramatically is that artists in the educational system have to produce more written work as part of their degrees. That has had an effect on artists and artistic production. I think many artists are automatically thinking about how the work will be written about when they are making it. It is not necessarily that they plan, but they can’t stop doing it. That hyper-sensitivity to the written word and what artists need to say about their own work, knowing they will be interviewed, often goes alongside a very self-consciousness about how work will look in reproduction, how it will be discussed, how artists need to justify their own work in the media. The issue is how to corral the artists and the critics into one arena that represents the work well. This leads me to post the Jerry Saltz article from the end of December, wherein he talks about being a critic. Personally my own experience with writing criticism slanted me toward thinking it wasn’t worth it. Better to let people make up their own minds about things. There’s a difference between criticism and publicity afterall, and no artist wants real criticism. Such genuine critique comes from someone like John Carey, where in the last link this is said about the art world: “Approved high art, Carey insists again and again, is too often simply a marker of class, education and wealth. ‘It assures you of your specialness. It inscribes you in the book of life, from which the nameless masses are excluded.’ Yet ‘the characteristics of popular or mass art that seem most objectionable to its high-art critics — violence, sensationalism, escapism, an obsession with romantic love — minister to human needs inherited from our remote ancestors over hundreds of thousands of years.'” It seems to me that in an increasingly open and reasonable society, professional artists would be derided for their unreasonable snobbish attitudes. But that’s just me. Finally, a link to a Daily Show clip on Crooks and Liars. They offer two video feeds, one Windows and the other a Quicktime, but the quicktime one doesn’t work as a type this (maybe later?). The clip goes over the James Frey debacle, pointing out that while political lying is pooh-poohed, Oprah’s humiliation is that she ‘forced Americans to read, when they really didn’t have to’. – Timothy ——————————————————————— Universal Leonardo | Ana Finel Honigman http://www.artnet.com/magazineus/features/honigman/honigman1-19-06.asp The interview with Martin Kemp. But check out the website mentioned there: http://universalleonardo.org/ “‘A project aimed at deepening our understanding of Leonardo da Vinci through a series of international exhibitions, scientific research and educational resources. Explore the web site for details of the exhibitions and to discover Leonardo’s fascinating thought and work in the realms of art, science and technology.’ “ Seeing out loud | Jerry Saltz http://www.artnet.com/magazineus/features/saltz/saltz12-20-05.asp What Good are the Arts? | Michael Dirda http://urlx.org/washingtonpost.com/facc The Daily Show: Oprah vs News | Crooks and Liars http://www.crooksandliars.com/2006/01/31.html#a6940 “Why does James Frey get tougher treatment than our government? Well, I’ll tell you why. Because he misled us into a book we had no business getting into. So thank you Oprah for giving us a glimpse into political accountability and punishing the one unforgivable sin our society. Forcing Americans to read … when they really didn’t have to.” —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Wednesday 01 February 2006 @ 2:28 PM
06w05:1 Good Audio Posted January 29th, 2006 by timothy. 0 Comments Good Reads Mailing List | 2006 week 05 number 1 (good audio) I’ve been listening to my iPod at work for the past month, so I haven’t been able to spend as much time in front of the computer finding good reads. What I present here then is the result of finding good podcasts. – Timothy ——————————————————————— Not Self (Week 1) | Gil Fronsdal 2006-01-16 http://www.audiodharma.org/mp3files/Gil_011606_NotSelf_Wk1.mp3 John Ralston Saul speaking on the Collaspe of Globalism | SBS Radio (Jan 06) http://www9.sbs.com.au/radio/index.php?page=wv&newsID=128346 and on ABC Radio (Aug 05): http://www.abc.net.au/pm/content/2005/s1441983.htm The Leonard Lopate Show: The Wal-Mart Effect 2006-01-23 http://audio.wnyc.org/lopate/lopate012306d.mp3 “70 percent of Americans live within a fifteen-minute drive of a Wal-Mart. Charles Fishman looks at how Wal-Mart got so big, and how it’s changing America’s economy, in The Wal-Mart Effect.” Covering 2006-01-20 http://audio.wnyc.org/lopate/lopate012006a.mp3 “In Covering: The Hidden Assault on Our Civil Rights, Kenji Yoshino explores the ways in which the law, civil liberties, and self-identification intersect. A Yale Law professor and a gay, Asian-American man, he describes the prejudices that he sees written in America’s civil rights legislation.” Open Phones: Fact or Fiction? 2006-01-19 http://audio.wnyc.org/lopate/lopate011906c.mp3 “We’ll take your calls on the recent revelation that James Frey made up some of the incidents he described in his best-selling memoir, A Million Little Pieces.” Note: Personally I think this whole controversy about this book is a little pointless. Saturday night at my birthday dinner my Mother and Sister got into a discussion about it and I had to pipe up to say, “Imagine if you used all that brain power to think about better things; we’d have a beautiful world’. I mean, the book’s cover alone should be enough to clue you in it’s bullshit: all those tiny little coloured specks on the guy’s hand. Honestly, I always thought it was some book about viruses and illness, and noticed everyone reading it on the subway and train and thinking, ‘why would they want to read something so sad?’ Turns out its about drugs, debauchery, and the cheating ways of a trust fund brat. Perfect book for American society don’t you think? Ah well. At least America’s citizens aren’t paying attention to the war in Iraq. This episode of the Lopate show tried to equate the outrage of the book’s falsity with being lied to by the government, which I found crazy and thus fascinating. Melville: His World and Work 2006-01-18 http://audio.wnyc.org/lopate/lopate011806c.mp3 “Herman Melville wrote one of the most important American novels of all time: Moby-Dick. But he wasn’t recognized as a towering literary figure until 40 years after his death. Andrew Delbanco, the Julian Clarence Levi Professor in the Humanities at Columbia University, studies Melville’s life and works in a new biography.” Fast Living 2006-01-12 http://audio.wnyc.org/lopate/lopate011206b.mp3 “Renee Price is the curator of the current Egon Schiele exhibit at the Neue Galerie. She revisits the significance of the Viennese artist’s highly-sexualized work, and his very short life.” Animal Insight 2006-01-10 http://audio.wnyc.org/lopate/lopate011006c.mp3 “Last year, we interviewed animal scientist Temple Grandin about her latest book: Animals in Translation. In this book, she describes how her autism helps her decode animal behavior. She joins us now with an update on her work, and on new developments in autism research.” This link on autism and it’s relationship to not only the way animals think, but to representative art, reminded me of Nicholas Humphrey’s paper Cave Art, Autism, and the Evolution of the Human Mind: Cave Art, Autism, and the Evolution of the Human Mind | Nicholas Humphrey http://cogprints.org/1744/ “The emergence of cave art in Europe about 30,000 years ago is widely believed to be evidence that by this time human beings had developed sophisticated capacities for symbolization and communication. However, comparison of the cave art with the drawings made by a young autistic girl, Nadia, reveals surprising similarities in content and style. Nadia, despite her graphic skills, was mentally defective and had virtually no language. I argue in the light of this comparison that the existence of the cave art cannot be the proof which it is usually assumed to be that the humans of the Upper Palaeolithic had essentially ‘modern’ minds”. From IT Conversations: Laughter in a Time of War | Tim Zak talking with Zach Warren http://www.itconversations.com/shows/detail921.html “In the Fall of 2005, Zach Warren set the World’s Record for running the Philadelphia marathon–while juggling! […] In this second installment in his series on Play, Globeshakers host Tim Zak asks this World Record holder to describe what gives him the inspiration to pursue these feats of extreme endurance. What role does ‘play’ have in the health of the planet? And ultimately, what has he learned about what it takes to re-build an entire country? ‘One of the first casualties of war’ says Zach Warren, ‘is imagination.’ In one of the most war torn regions in the world, the Afghan Mini Mobile Children’s Circus (MMCC) serves as a child protection program to help Afghan children recover from the traumas of war. The MMCC, a Danish-registered NGO, is run by native Afghans. It helps children to be more self-directed in creating their own dreams for the future through theatre and the arts. So, what is the role of the jester in a time of extreme danger? ‘If we’re really serious about building a democracy in this country,’ says Warren ‘then we need to protect their imagination.'” Note: I found the questions asked in this interview to be really boneheaded, but Zach Warren was almost inspiring, making the case rather well that his admitedly silly contributions do in fact make a difference. The Future of Blogging | Joichi Ito http://www.itconversations.com/shows/detail725.html “The internet is truly becoming an open network with the rise of amateur content and open source software. In this talk, Joi Ito takes us through the growth of the internet as an open network in layers to the point where the killer app is now user generated content. Earlier, it was the little guys around the edges of the internet who created the open standards which made the web work, and today it is those same people who fuel it with their creativity. He also shares with us his observations of the remix culture seen on the net.Joi notes that it is futile to make any attempts to change user behaviour. It is better to observe it and then make a business out of it. He also talks about how people on the internet do not want to be fed content from a handful of sources – they want to create their own content and have a conversation with others at the same time, and that is the revolution we are witnessing today.” What Do We Know | Robert Trivers http://www.itconversations.com/shows/detail787.html “The capacity of humans to deceive each other is well documented by history and personal experience. Less well known, however, is the capacity of most living things to deceive each other – species deceiving other species, members of their own species and themselves. We are, it seems, not that different from parasites, insects and bacteria in this regard.Dr. Robert Trivers talks about the evolutionary basis of deception in this address from Pop!Tech 2005. The first half of this talk focuses on the biological examples of deception in the natural world, with explanations for the evolutionary advantages of deception and self-deception.Later in the talk, Dr. Trivers supplies easily recognizable examples of common human self-deception. He then delves into an overtly political criticism of human deception and self-deception, with an emphasis on current events.”Note: This was really good. I love how he expressed his anger with the Bush Administration. You know something’s worth listening to when it comes from a geek website and has a language warning at the beginning of it. (Because geeks of course never say the word fuck, especially when dealing with Windows software). And speaking of the Bush Administration: State of the Union Address 2006 | James Adomian http://urlx.org/youtube.com/0531 “This year I’m submitting to congress a plan for a 400 billion dollar education plan. Because our children must be literalized. Children that don’t read will not grow up. I’m against hunger. I’m against that. For all our small businesses out there I want to make sure that they have clothings. For every old person out there dreamings, I want to make sure they have the pills to make those dreams happen. For every college student out there, I will make sure that they will be able to take the loans to go to college to be able to pay back those loans with interest. That’s why this year I’m proposing a 400 billion dollar tax cut on our upper income earners.” —————————————-http://goodreads.timothycomeau.com Long urls made short using Url(x) To remove or add yourself to this list, go here emailed by Timothy on Sunday 29 January 2006 @ 7:01 PM
06w02:1 Humour from the World's #1 Podcast Posted January 10th, 2006 by timothy. 0 Comments Good Reads Mailing List | 2006 week 2 number 1 (humour from the world’s #1 podcast) Considering this is the world’s # 1 podcast, listing it here might be a bit redundant, but it’s the funniest thing I’ve heard in a long time, so I just had to share.I began with yesterday’s episode 6 (of a future 12) which had me in tears the three times I listened to it today.The second link is an embedded quicktime from Conan O’Brien last spring, which also had me in stitches when I first saw it a month or two ago.– Timothy ——————————————————————— The Ricky Gervais Show | Ricky Gervais, Steve Merchant, Karl Pilkington http://www.guardian.co.uk/rickygervais “Exclusively available online from Guardian Unlimited A further 30 minutes, or thereabouts, of nonsense, courtesy of Ricky Gervais, Steve Merchant and an increasingly perplexed Karl Pilkington. Listen whenever and wherever you want as these weekly half-hour shows are offered as handy iPod friendly digital files for up to four weeks after they’re first posted.” Spring Cleaning Walker Clip | Late Night with Conan O’Brien http://www.collegehumor.com/movies/1638127/ New Link [2007-04-09] —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Tuesday 10 January 2006 @ 10:52 PM
06w01:3 Political Vision Posted January 5th, 2006 by timothy. 0 Comments Good Reads Mailing List | 2006 week 1 number 3 (political vision) The Current had a discussion this morning on political vision, and why there doesn’t seem to be any during this election campaign, or for that matter, ever. Which just reminds me that the current crop of politicians in Ottawa are old men without ideas. The Current played clips of what are usually considered political visionaries – Martin Luther King, Trudeau, Kennedy, who are all comfortably dead with faults forgotten. Nevertheless they are voices from the 1960s, an over-idealized time to ‘the grown ups’ of my generation, and a time that means little to someone like me who came into the world in the midst of disco. Means little, except for seeming like a dream time when politicians had the balls to do stuff, like send men to the moon, and not whine about how much it’d cost. The only thing for which money seems to not be an obstacle nowadays is for pissing on our rights. But I digress.Let’s consider what our options are: The Liberals: they could have given us a guaranteed income thirty years ago but that didn’t happen. They’ve been promising to decriminalize marijuana for that long as well, but again, pigs will fly first. They’ve been letting Sea King helicopters fall out of the sky since 1993, buying second-rate submarines that catch fire, and talking about a National Child Care program for just as long. They don’t do shit but preen and stammer before the cameras and try to hold on to power. My time as a Board member here and there has given me insight both on how inaction happens, and how easy it can be to be overwhelmed by plans and papers and etcs. Anyway, the Liberals could use a dose of decisiveness. (Of course, if they were decisive, some people would protest). The Conservatives: the wolf has bought a suit of sheep’s clothing at Moores. Suddenly they’re ahead in the polls and it doesn’t seem that scary. Maybe because the Liberals come across as so pathetic and tired. Maybe as well I’m dazzled by the fact that a political leader is actually laying out an agenda. The NDP: what the hell is wrong with this country that Layton and the NDP don’t have a huge lead? The only party that makes any sense on anything, the only party made up of people who come across as human beings and not imagination-less managers (Liberals) and simply cold-hearted, mean and stupid (Conservatives), you’d think the NDP could win an election or two. But instead they’re stuck at 15%, which is to say only 15% of the electorate are worth having a beer with. Geesh. Green Party: What a joke. They can’t even get on the news. Of course, to be fair to both the Greens and the NDP, the news, (that is ‘the media’) displays clear bias in framing the choice as that between the Conservatives and the Liberals. The NDP are always talked about as if they were the underdog, and the media refuses to take them seriously. They look at the poll numbers as if their 15% wasn’t in fact, their creation, which it is. That fifteen percent (I’m sure it’s fair to say) reflect the citizens of this country who read and who may or may not have a television set, and thus are informed by a plurality of sources and are comfortable thinking about things themselves, rather than be spoon-fed ideas by punditry. As for the Greens, they can’t even get included on the televised debates … why? Is it the politicians or the TV producers that think we’re too stupid to follow that many talking heads? They debates themselves are anything but a debate. Speechifying and posturing and practiced mannerisms and phony, cued-up smiles. A debate is what we see the talk shows for christ’s sakes, and if that gets the ratings and get’s the livingroom agitated, why the hell can’t the politicians do that? Why can’t Paul Martin go all Dr. Phil on Stephen Harper and vice-versa? Perhaps something like this: Martin: Now listen Stephen, I’m going to tell you something you don’t want to hear. I think you’re wrong about a lot of issues. I think, for example, you still harping on about gay-marriage and your infatuation for tax cuts isn’t good for the country. In a world of hate, why should we persecute and pick on people who simply want to love one another? And taxes are just an indirect way of paying for things that would cost you much more if that service was in the hands of a corporation. Harper: I respect that point of view, but I disagree, and in the case of gay-marriage, I’ll have to respectfully disagree. But he’s thinking about respecting his poor old grandma and infatuated with the old white-picket fence vision of the world, because he thinks Adam and Steve isn’t the way the story should be told. My view is that people work hard for their money and such a large percentage of it shouldn’t be taxed away just so that you can redistrubute it in what was clearly an entranched crony system. The episode with Mr. Goodale is simply the latest example. There has to be a better way of running the country than you have for the past 12 years. Layton: [interjecting] Can I say something …. Moderator: No, it’s not your turn yet. And thus earning extra pay for pissing on the NDP. Mr. Duceppe, do you have anything to add? Duceppe: No, it’s become rather clear that Canada doesn’t work, and so our aim of a sovereignty seems to make sense doesn’t it? Given that the Conservatives are the ‘official opposition’ (that is, they came in a clear 2nd in the last election) CBC and the like think that means they are the clear second choice. And yet, we re-elected Liberals time and time again because we all hated Mulroney so much. The ’93 election decimated the Conservatives, and they lingered on with reduced numbers while the angry Westerners kept sending the Reform party to Ottawa, and for a time, the Bloc Quebecois was the ‘official opposition’. So after the Reform renamed itself to the Aliance and incorporated the old Progressive Conservatives into its ranks, (thereby making the voter who wanted Senate reform and less Quebec-centrism politics a conservative) suddenly they win enough seats to come in second. And they booed Belinda Stronach when she spoke up at their convention last spring in support of gay marriage. The woman who, it was said, orchestrated to the merger of the parties, and then ran for its leadership. And then she dumped her boyfriend Mr. McKay to go become a Minister of something or other (what again?) by switching sides. Oy vey. So the story of Canadian politics over the past decade and half is more of a soap opera than of any social progress and implementation of policy that makes all of our lives better, the type of thing they were fond of doing in the 19th Century, when they thought a railway across the continent was a good idea, as were public schools. It was a trend you know, once, to care about the citizens and to build a future, and so, we got ourselves Medicare, which is now talked about as being ‘the soul of the country’ (John Doyle wrote that in the Globe last month, critiquing the documentary which in turn was critiquing ‘the funding mechanism’). Merry Old England was derided by Napoleon as a ‘nation of shopkeepers’. Perhaps our partial English heritage is one of the reasons we get so attached to economic structures like funding mechanisms for doctors and hospitals, and department stores like Eatons and a corporation called the NHL. But ok, in that vein, let’s propose some 21st Century visions: renticare: we figured out a way to keep people from paying medical bills when they get shot in Toronto, except now days they have to pay for the ambulance and all this other shit that should be free as well. But whatever … it seems to me that they’d be able to pay for the other things if they weren’t wasting money paying rent. Where does rent go? On the landlords’ mortgage or in their pocket … is that not true? It seems to me it’s a lateral transaction that simply enriches a few and improvishes many, kind of like what paying for an operation is like in the US. Them doctors, so rich, so expensive, that the poor just don’t go. Renticare baby – that’s the future. Homelessness would vanish, that seems pretty clear. No more sad stories and excuses and appeals from charities. It’s not like Ottawa can’t afford it, with its record surpluses for years now. Instead we get Harper saying he’d give $100 buck a month to new families, and Paul Martin saying they’d pay for half the tuition for post-secondary students in their first and last years. Tuition, of course, being the cheapest part of the package, the living expense part being the real killer. (Everybody knows that the student loan program is simply a disguised subsidy to the beer companies). Which brings me to my second vision for the future of Canada: wipe out student debt: why the hell should I have to pay back all this money, spent supporting the Halifax economy, and enriching a rich landlord? I look back now and say, I helped keep Shoppers Drug Mart, various bars, fast food restaurants and coffee shops going, and in turn, employing that many people. Then there was the tuition, which was a small percentage of the total debt. On top of this, I’m supposed to pay back interest, because I need to be taught a lesson of fiscal responsibility and be ushered into the wonderful modern world of usery. How else is our economy supposed to grow? How else are we going to make money, the governments ask, forgetting about their taxes, which are supposed to pay for social services, like child care programs, or the bureaucratic management of the government’s own grow-ops, producing weak marijuana for those to whom it’s medically sanctioned. Because of course, it’s devastating for society and our ethics that anyone get high in Canada, especially if they have cancer. Student debt is a severe problem for our society, and yet no politician is talking about it (well, Layton’s said some things, but I’m forgetting he doesn’t count). Why not pay people to go to school instead? classify students as workers: As Warren Wagar wrote, when he introduced this idea in his 1999 book, A Short History of the Future,‘all adult students were workers, whether their studies were undertaken to satisfy a market demand or not. Work had come to include the enlargement of the self, on the premise that every increase in personal capacity achieved without exploitation of the labor of others represented a net gain for the whole society of associated selves.’ By classifying students as workers, they’d be eligible to receive a wage. Imagine going to school as a job, graduating with a healthy bank account and not burdened by debt. Student Loan programs should be replaced with Student Subsidy ones. I can’t imagine any harm being done to our society by having an educated populace. Rather, it seems to me that the whole point of the system (the job, the house, the lifestyle idea) is to help us be fully human, to enable us to enjoy our lives. And that simply can’t be done within the status quo. Without getting into the usual capitalist critique, the status quo is set up to divide us into demographic markets and sell us the idea of happiness, while keeping us bat-shit miserable so that the next commercial and Caribbean vacation will seem appealing. Currently, we’re dealing with a system (inherited from a less kind world), that sets up the winner-loser dynamic throughout our lives. In Bowling for Columbine, the fellow who makes South Park explained the Columbine Massacre as being a result of that dynamic. The current media sensation of gun-violence in Toronto is also a result of that dynamic. We all deserve better. There’s no reason to think some people are just born stupid and are hopeless. If we’re going to have a percentage of the population who will always be useless, they might as well spend their time in university libraries to make the money for their pot purchase, which should have been made legal thirty years ago. Which brings me to the last vision, and the links: the most educated citizens in the world: As Michael Ignatieff said last spring, ‘let’s get the federal governments, the provincial governments, the municipal governments working together to make Canadians the best educated, most literate, numerate, and skilled people on the face of the earth’. This plays into the article by Timothy Brown, which I’ve linked to before, and one of the oddest sources of anything visionary. Outlining the world of a role-playing game called 2300 AD, he wrote of Canada: ‘A national effort began in the 22nd century to make Canada the higher education center of the world. A tremendous effort was put into motion at that time to attract great thinkers to Canada to teach, to build facilities which would draw students from around the world, and to build a worldwide reputation for superb education and positive results. Canada correctly recognized the economic potential in being a leader in education. Other nations eventually began sending students, as a matter of national policy, to Canada, not wanting to be left behind in the thinking of the age. By the end of the century Canada had achieved its goal and remains the uncontested master of higher education on Earth.’ As an artist, this got me to thinking about what kind of culture such students would find, and helped me consider the cultural legacy we (and I as a cultural worker) were building. For Ignatieff to be articulating this makes it seem possible, but then again, his chances of actually getting elected seem slim (which is merely another example of Liberal incompetence). However, the century is still young, and the ‘leadership’ isn’t getting any younger, so there’s still time to make such ideas a reality. Unfortunately, they are not a choices to consider on January 23rd. -Timothy ——————————————————————— We don’t have a vision? | The Current http://www.cbc.ca/thecurrent/2006/200601/20060105.html “Above the western entrance to the Peace Tower on Ottawa’s Parliament Hill, this proverb is inscribed: ‘Where there is no vision, the people shall perish.’ And over the next hour on The Current we put that maxim to the test. This year’s election campaign trail has been littered with promises of tax cuts, improved child care and tackling government corruption. But we discussed whether policy announcements can add up to a grand vision for Canada, or if we are, indeed, doomed to perish. And we started with a look back at some politicians upon whom historians have bestowed the honour of ‘visionary’.”with links to real audio files Speech to the Liberal Convention | Michael Ignatieff http://goodreads.timothycomeau.com/lectures/ignatieff/ My stats went up in November because people were Googling this Canada in the 24th Century | Timothy B. Brown http://goodreads.timothycomeau.com/canada24.html There is a future beyond our deaths, but what are we doing to shape it? —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Thursday 05 January 2006 @ 11:26 AM
06w01:2 Irving Layton 1912-2006 Posted January 4th, 2006 by timothy. 0 Comments Good Reads Mailing List | 2006 week 1 number 2 (Irving Layton 1912-2006) Irving Layton has died. And so to commemorate, a poem.But first, in the world of cultural ignorance, this news (from today’s Globe and Mail): Kind of reminds me of the time I saw the Halifax Shakespeare by the Sea summer fest listing in 1999. It was in the MT&T brochure designed for tourists. For Titus Andronicus, they’d written, ‘Titus and Ronicus’. The Cold Green Element (1940) by Irving Layton At the end of the garden walk the wind and its satellite wait for me; their meaning I will not know until I go there, but the black-hatted undertaker who, passing, saw my heart beating in the grass, is also going there. Hi, I tell him, a great squall in the Pacific blew a dead poet out of the water, who now hangs from the city’s gates. Crowds depart daily to see it, and return with grimaces and incomprehension; if its limbs twitched in the air they would sit at its feet peeling their oranges. And turning over I embrace like a lover the trunk of a tree, one of those for whom the lightning was too much and grew a brillant hunchback with a crown of leaves. The ailments escaped from the labels of medicine bottles and all fled to the wind; I’ve seen myself lately in the eyes of old women, spent streams mourning my manhood, in whose old pupils the sun became a bloodsmear on broad catalpa leaves and hanging from ancient twigs, my murdered selves sparked the air like muted collisions of fruit. A black dog howls down my blood, a black dog with yellow eyes; he too by someone’s inadvertence saw the bloodsmear on the broad catalpa leaves. But the furies clear a path for me to the worm who sang for an hour in the throat of a robin, and misled by the cries of young boys I am again a breathless swimmer in that cold green element. -That’s all today, bye. Timothy ——————————————————————— —————————————- http://goodreads.timothycomeau.com To remove or add yourself to this list, go here emailed by Timothy on Wednesday 04 January 2006 @ 10:42 PM